2018 Photo Gallery
2018 Video Gallery
Vail Dance In The News
“Is the sociology of the dance world changing? The last two years have brought many more commissions for female choreographers.
English National Ballet made a splash in 2016 with an entire program of new choreography by women. And this year’s “NOW: Premieres” program at the Vail Dance Festival here was subtitled ‘Celebrating Women Choreographers.’ Does this sound like mere tokenism? It’s worth pointing out that all four of these female dance-makers — Michelle Dorrance (this year’s artist in residence), Lauren Lovette, Claudia Schreier and Pam Tanowitz — have worked at the festival before.”…
“Since the two galalike signature events of the annual Vail Dance Festival were star-studded, it’s tempting to survey them just by dropping names. After all, on Friday here, Misty Copeland (never more mettlesome) and Marcelo Gomes (richly smoldering) danced Twyla Tharp’s “Sinatra Suite,” followed by Misa Kuranaga (lightly brilliant) and Herman Cornejo (panache itself) in the war horse “Don Quixote” pas de deux.
Saturday’s program ended with Tiler Peck dancing George Balanchine’s “Tschaikovsky Pas de Deux” with Jeffrey Cirio. Dazzling and charming artists both, they reached fresh peaks here; Ms. Peck (of New York City Ballet), in particular, has reached new zones of subtle artistry and breathtaking speed.”…
“The lineup was certainly dazzling: stars from City Ballet and American Ballet Theater but also some of the world’s greatest exponents of other forms, from modern (Matthew Rushing) to tango (Gabriel Missé) to kuchipudi (Shantala Shivalingappa) to Memphis jookin (Lil Buck). Yet what made the programs special was Mr. Woetzel’s way of balancing the surefire and crowd-pleasing with novelty and risk.”
“Damian Woetzel, impressively ambitious, has been making dance history for 10 years in Vail, Colo. As artistic director of the two-week Vail International Dance Festival, he assembles each August a top-class gathering of performers in multiple genres. No single program is performed twice. World premieres by front-rank choreographers (notably Alexei Ratmansky and Christopher Wheeldon) occur. So do unexpected partnerships between dancers from different companies and far-apart disciplines.”