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For closing night, join us for an evening of new works danced by BalletX and other Festival stars (see below) and choreographed by a selection of today’s most inspiring creative voices including Lil Buck with Lauren Lovette, Michelle Dorrance, Justin Peck, Tiler Peck, Jamar Roberts, Cleo Parker Robinson, and James Whiteside, with new music composed by Christina Courtin, Rhiannon Giddens, Caroline Shaw, and Tyshawn Sorey, performed by musicians including Quartet-In-Residence Brooklyn Rider.
Underwritten by the Town of Vail.
We are planning to livestream NOW: Premieres on the Vail Dance Festival YouTube channel. Be sure to subscribe today! You’ll be able to view the livestream HERE.
BalletX, Company-In-Residence
Cleo Parker Robinson Dance Ensemble
Isabella Boylston
India Bradley
Lil Buck
Herman Cornejo
Philip Duclos
Robbie Fairchild
Joeseph Gordon
Christopher Grant
Lauren Lovette
Roman Mejia
Ron Myles
Mira Nadon
Dario Natarelli
Tiler Peck
Unity Phelan
Calvin Royal III, Artist-In-Residence
Cory Stearns
Devon Teuscher
Byron Tittle
Melissa Toogood
Performance times, casting and repertory are subject to change.
Photo Credit: Lil Buck, Michelle Dorrance, Robbie Fairchild, and Melissa Toogood perform 1-2-3-4-5-6. Photo by Erin Baiano.
*Ticket prices are subject to change. Price listed does not include service fees.
Gates open one hour prior to showtime.
Charles “Lil Buck” Riley is a world-renowned and award-winning performing artist, entrepreneur, and advocate for the arts and humanities. Lil Buck’s dance repertoire includes a multitude of styles including Memphis Jookin’, ballet, hip-hop, and modern, just to name a few.
Over the course of his career, he has performed and collaborated with some of the world’s finest artists and brands including Yo-Yo Ma, Madonna, Alicia Keys, Janelle Monáe, Lizzo, Nike, Chanel, Versace, Louis Vuitton, Apple, Jordan, Lexus, Gap, and many others.
Outside of dance, Lil Buck is a true creative and has provided a unique skill-set to top-notch projects which include being a choreographer on the Starz TV series Blindspotting, Season 1 and 2, a guest judge on So You Think You Can Dance, and roles in both the movie Emperor and the feature film Her. Lil Buck designed a capsule collection for Versace and provided artistic consultation to many brands over his lengthy career. Recently, Lil Buck’s story and creative process were captured in the documentary Lil Buck: Real Swan which premiered at the Tribeca Film Festival and in the Netflix documentary series, MOVE.
Lil Buck has always had an entrepreneurial spirit. In 2014, Lil Buck was presented with the Wall Street Journal’s Innovator of the Year award. His strong business acumen is ever present in the many projects that he is involved in outside of dance which include ventures related to food and beverage, brand management, fashion, and production.
Currently, Lil Buck is personally producing multiple major stage shows which culminate the essence of dance as a tool to change the world. One of his newest productions in development transforms Lil Buck back to his home-town roots. Entitled Memphis Jookin’: The Show, this awe inspiring production brings Lil Buck’s career full circle.
Herman Cornejo was born in Villa Mercedes, San Luis province, Argentina, and began his ballet studies at the age of eight at Teatro Colón’s Instituto Superior de Arte, Buenos Aires. At fourteen he received a scholarship from the School of American Ballet, the dance school of New York City Ballet and on his return to Buenos Aires he joined Julio Bocca’s Ballet Argentino. In 1999 Herman joined American Ballet Theatre, New York, was promoted to Soloist in 2000 and was appointed Principal Dancer in 2003. Herman has participated in numerous galas and has performed as Principal Guest Dancer with Ballet del Teatro Argentino de La Plata, Boston Ballet, Compañía de Danza Contemporánea de Cuba, Corella Ballet Castilla y León, New York City Ballet and Sapporo Ballet.
ROBBIE FAIRCHILD made his Tony nominated Broadway debut in 2015 as Jerry Mulligan in the Tony Award-winning musical An American in Paris, which he reprised in London’s West End in 2017. He was awarded the Drama Desk, Outer Critics Circle, Theater World, National Dance and Astaire Award for this performance and was nominated for the Evening Standard and Drama League Awards. From 2009 to 2017, Fairchild performed as a Principal Dancer with the New York City Ballet. His other theater credits include Monster in Mary Shelly’s Frankenstein (Signature Theater, Chita Rivera Award), Harry Beaton in Brigadoon (New York City Center), Will Parker in Oklahoma! (Royal Albert Hall, London), Mike Costa in A Chorus Line(Hollywood Bowl), and Bill Calhoun in Kiss Me Kate (Roundabout Theater Company’s 2017 Gala). Television: Étoile (Prime Video), Soundtrack (Netflix), Mixtape (FOX Pilot), Julie’s Greenroom (Netflix), Oklahoma! (BBC Proms), Romeo in Romeo and Juliet and Carousel Boy in NY Philharmonic’s Carousel (PBS’s Live from Lincoln Center), Dancing With The Stars, The Late Show With Stephen Colbert, Live with Kelly and Michael, CBS Sunday Morning, and 60 Minutes. Film: Tom Hooper’s Cats, An American in Paris Live (West End Production), The Chaperone and NY Export: Opus Jazz. Represented by CAA. @robbiefairchild
Joseph Gordon was born in Phoenix, Arizona, and began his dance training at the age of five at The Phoenix Dance Academy.
Mr. Gordon began studying at the School of American Ballet (SAB), the official school of New York City Ballet, during the 2006 summer course and enrolled as a full-time student that fall.
In August of 2011, Mr. Gordon became an apprentice with NYCB, and in July of 2012, he joined the Company as a member of the corps de ballet.
In February 2017, Mr. Gordon was promoted to soloist and in October 2018, he was promoted to principal dancer.
Photo by Mark Mann.
Lauren Lovette personifies the intertwining of dance and choreography, moving seamlessly from one to the other. Her work has been commissioned and performed by leading dance companies and festivals, including the New York City Ballet, American Ballet Theatre, the Vail International Dance Festival, American Ballet Theatre Studio Company, the Paul Taylor Dance Company, Nevada Ballet Theatre, Juilliard, Oregon Ballet Theater, Colorado Ballet, as well as a self-produced evening entirely of her own work in which she also danced, Why It Matters.
Born in Thousand Oaks, California, Lovette began studying ballet at the age of 11 at the Cary Ballet Conservatory in Cary, North Carolina. She enrolled at SAB as a full time student in 2006. In October 2009, Ms. Lovette became an apprentice with NYCB and joined the Company as a member of the corps de ballet in September 2010. Promoted to soloist in February 2013 and to principal dancer in June 2015, she stepped down from her position at the company in 2021 in order to embark on a career devoted to dance and choreography in more equal measure. She is now the choreographer in residence at the Paul Taylor Dance Company and performs as a guest principal dancer around the world.
Ms. Lovette received the Clive Barnes Award for dance in December 2012 and was the 2012-2013 recipient of the Janice Levin Award.
Ron Myles (Performer) admits that he has always been one looking to “shine in front of a camera.” Born and raised in the city of Memphis TN. As a kid Myles developed a passion for music. Influencers such as his dad, older brother and childhood friend, would have sessions of free-style rapping or sitting in on sessions to watch and learn. Growing up around the best of Memphis artists such as 3–6 mafia, 8ball and MJG, Issac Hayes,The Bar-Kay’s, Kingpin Skinny Pimp and Tommy Wright the 3rd just to name a few. Taking his southern ways of rap to California in 2009 where he initially branched himself out learning new cultural music becoming a self writer. Much time was spent for Myles working with various producers perfecting his craft along the way. This young and talented artist sets himself for higher grounds working alongside super producer Timothy (Bos) Bullock. Working together these two has created heat during score sessions for featured films as well for the KPop industry. As of today Myles has released a few singles Babbage,Boss Moves and Michael Jackson from his upcoming EP (Orange Mound Baby) where you will find what it’s like to be a part of what he calls “Yachts World” giving a taste of new trap sounds from the dirty south and taking it globally.
Mira Nadon was born in Boston, Massachusetts, and began her ballet training at the age of six at the Inland Pacific Ballet Academy in Montclair, California.
She attended summer courses at the School of American Ballet (SAB), the official school of NYCB, in 2014 and 2015, before entering SAB full-time for the 2015 winter term.
In November 2017, Ms. Nadon became an apprentice with NYCB. She joined the Company as a member of the corps de ballet in November 2018. Ms. Nadon was promoted to the rank of soloist in January 2022 and principal in February 2023.
Ms. Nadon has danced as a guest at the Vail Dance Festival and Nantucket Atheneum Dance Festival and has performed as a member of Ballet Collective. She is also a part-time student at Fordham University. She is the recipient of the 2021 Clive Barnes Award for dance and is a 2022 Princess Grace Award winner.
Dario Natarelli is a performer, choreographer, and dance educator specializing in tap dance based in New York City. He is honored to be a part of the Vail Dance family since 2016. Some of his credits include: Illinoise (Justin Peck), The Tap Dance Kid (New York City Center Encores!), Oliver! (Encores!), Tappin’ Thru Life (Off-Broadway), Ayodele Casel’s Artists At The Center (performer and co-choreographer with Michelle Dorrance), Assistant choreographer to Michelle Dorrance at Vail Dance, Maestro (Bradley Cooper and Justin Peck), The Kennedy Center (soloist, choreographer), Saturday Night Live, Amazon, national commercials, and more. He is grateful to his family, friends, and mentors for their unconditional love and support. Respect the dance; go in rhythm. @dario_natarelli
Tiler Peck has been a Principal Dancer with New York City Ballet since 2009. She made her Broadway debut at age 11 as Gracie Shinn in The Music Man and was seen on Broadway as Ivy Smith in the Tony Nominated On The Town. She originated the title role in Susan Stroman’s newest musical Little Dancer at the Kennedy Center and is attached to star in the Broadway production. Tiler made her choreographic debut at the Vail Dance Festival in 2018 and has gone on to choreograph and appear in episodes of Tiny Pretty Things and Ray Donovan, for the Boston Ballet and the box office smash hit film John Wick 3. She has also appeared on Dancing with the Stars, the Kennedy Center Honors and Live From Lincoln Center’s The Nutcracker and Carousel, Disney+’s The Hip Hop Nutcracker, and Josh Groban’s Great Big Radio City Show PBS special. As a guest star, she was the first ballerina ever to appear on The Ellen DeGeneres Show. In film she has starred in “Ballet Now”, a Hulu documentary that followed her as she became the first woman to curate and star in The Los Angeles Music Center’s presentation ofBalletNOW, “Ballet 422”, “A Time for Dancing”, and “Donnie Darko”. She is a recipient of the Princess Grace Statue Award, The Dance Magazine Award and was named one of Forbes 30 under 30. She curated and directed the highly anticipated inaugural Artists at the Center for New York City Center that made it’s European debut as Turn It Out With Tiler Peck & Friend and received an Olivier Awards nomination. Most recently, she choreographed her first ballet for New York City Ballet, Concerto for Two Pianos.
To keep the dance world connected during the pandemic, Tiler developed a free ballet class #TurnItOutWithTiler that airs on her Instagram. She is the designer of the Love,Tiler collection for Só Dança. She has released two children’s books with Simon & Schuster: Katarina Ballerina and Katarina Ballerina & The Victory Dance. Most recently, Ms. Peck has been seen as a recurring guest star on Amazon Prime’s newest tv show Étoile.
More on Tiler at www.tilerpeck.com. Tiler can be found on Instagram & TikTok via @TilerPeck.
Calvin Royal III is an acclaimed internationally recognized Principal Dancer with American Ballet Theatre. After starting ballet at age 14, he gained recognition as a finalist in the Youth America Grand Prix in New York City, which led to a scholarship at ABT’s Jacqueline Kennedy Onassis School. Within two years, he was promoted to ABT II, and his subsequent growth earned him a position with ABT Main Company in 2010, nominations for the Clive Barnes Award and the Leonore Annenberg Fellowship. Calvin has performed star turns throughout his tours with ABT worldwide including the ABT seasons at the Lincoln Center for the Performing Arts in New York City – as the title role in George Balanchine’s Apollo, Prince Siegfried in Swan Lake, Romeo in Romeo and Juliet, The Prince in Alexei Ratmansky’s The Nutcracker, Count Albrecht in Giselle, and has worked with notable choreographers such as Twyla Tharp, Justin Peck, Helen Pickett, Benjamin Millepied, Alonzo King, Mark Morris, Wayne McGreggor, Kyle Abraham, Michelle Dorrance, Jamar Roberts, and many more. In 2017, he was promoted to Soloist, and in 2020, Calvin made history as the third African-American to become Principal Dancer in ABT’s 81-year history. Calvin was the 2020/21 Artist-in-Residence at Vail Dance Festival, and in 2024, he curated and co-produced the Joyce Theater’s Ballet Festival program UNITE. His journey reflects resilience, mentorship, and the transformative power of dance. For more visit calvinroyaliii.com and follow Calvin on all social media platforms @calvinroyaliii
Born on Long Island, New York, Cory Stearns began his classical training at the age of five with Mme. Valia Seiskaya at the Seiskaya Ballet. At age fifteen, he participated in the Youth America Grand Prix and was offered a full scholarship to The Royal Ballet School in London. Stearns performed in Madrid, Moscow, Milan, Düsseldorf and London while at The Royal, and appeared with Kylie Minogue in her music video Chocolate in 2004. Upon graduating from The Royal Ballet School with honors, he received, for the second year, the Dame Ruth Railton Award for excellence in dance.
Stearns joined the American Ballet Theatre Studio Company in September 2004, the main Company as an apprentice in January 2005 and became a member of the corps de ballet in January 2006. He was appointed a Soloist in January 2009 and a Principal Dancer in January 2011.
Stearns repertory with the Company includes The Man in AfterEffect, Solor in La Bayadère, The Ballet Dancer in The Bright Stream, a featured role in Brief Fling, Her Prince Charming in Cinderella, Conrad in Le Corsaire, Daphnis in Daphnis and Chloe, Basilio and Espada in Don Quixote, Oberon in The Dream, a leading role in Études, Second Sailor in Fancy Free, Colas in Las Fille mal gardée, Kaschei in Firebird. Baron in Gaîté Parisienne, Albrecht in Giselle, Astrologer in The Golden Cockerel, Grand Pas Classique, Her Lover in Jardin aux Lilas, Armand Duval in Lady of the Camellias, The Leaves Are Fading pas de deux, Des Grieux in Manon, Beliaev in A Month in the Country, His Friend in The Moor’s Pavane, the Nutcracker-Prince in Alexei Ratmansky’s The Nutcracker, Onegin in Onegin, Iago and a Carnival Dancer in Othello, Other Dances, Man From the House Opposite in Pillar of Fire, Romeo and Paris in Romeo and Juliet, the Terrestrial in Shadowplay, Prince Désiré in Ratmansky’s The Sleeping Beauty, Prince Désiré, the Celtic Prince and a Fairy Knight in The Sleeping Beauty, Prince Siegfried and von Rothbart in Swan Lake, Act III, Juliet, James in La Sylphide, the Poet in Les Sylphides, Orion and Apollo in Sylvia, Prospero in The Tempest, Prince Coffee in Whipped Cream, The Awakening Pas de Deux, leading roles in Allegro Brillante, Duo Concertant, Études, Mozartiana Monotones II, Raymonda Divertissements and With a Chance of Ran and roles in The Brahms-Haydn Variations, Citizen, Drink to Me Only With Thine Eyes, Duets, Everything Doesn’t Happen at Once, In the Upper Room, The Leaves Are Fading, Overgrown Path, Mozartiana, Rabbit and Rogue, Raymonda Divertissements, Symphony in C and Thirteen Diversions.
Stearns created roles in AFTERITE, From Here On Out, Her Notes, One of Three, Piano Concerto #1, Private Light and I Feel The Earth Move.
Stearns won the 2009 Erik Bruhn Prize for best male dancer.
Devon Teuscher began her ballet training at the age of nine under Deanna Doty of the Champaign Urbana Ballet Academy in Champaign, IL. When her family moved to Vermont, she continued her training at the Vermont Ballet Theatre School in Essex, Vermont under the direction of Alex and Kirsten Nagiba. At the age of eleven, Teuscher attended The Kirov Ballet Academy summer intensive. She also attended the Pacific Northwest Ballet summer intensive on full scholarship for two years.
From 2002 to 2006 Teuscher attended American Ballet Theatre’s Summer Intensive, and was a National Training Scholar from 2003 to 2006. In January 2005 at the age of 15, Teuscher relocated to New York City to dance at American Ballet Theatre’s Jacqueline Kennedy Onassis School on full scholarship.
Teuscher joined ABT Studio Company in 2006. She joined American Ballet Theatre as an apprentice in December 2007 and the corps de ballet in June 2008. She became a Soloist in August 2014 and Principal Dancer in September 2017.
Teuscher was nominated for the Clive Barnes Award in 2014 and received the Leonore Annenberg Arts Fellowship in 2016.
At a young age, Byron Tittle began tap dancing with David Rider and the American Tap Dance Foundation in his hometown of New York. Determined to be a multi-faceted artist, he trained weekly at Broadway Dance Center and Steps on Broadway in other disciplines: ballet, jazz, hip-hop foundations, modern, and dancehall. Byron is a co-captain of Dorrance Dance, touring with the tap dance company for the last decade. He is humbled to have been a featured dancer with Hugh Jackman’s 2019 “The Man, The Music, The Show,” touring The United States, Australia, and New Zealand, and in Jon M. Chu’s soon-to premiere feature film “In the Heights.” He is also a recipient of a 2019 Princess Grace Foundation Dance Fellowship Award.
Melissa Toogood has appeared on the Vail stage since 2015. She is a New York Dance and Performance Award (Bessie) winning, internationally recognized dancer and master teacher celebrated for her work most notably with the Merce Cunningham Dance Company, where she was one of the last dancers to work directly with Cunningham himself. A 2013 and 2015 Merce Cunningham Fellow and official stager for the Merce Cunningham Trust, Melissa has taught his technique worldwide since 2007 and continues to stage his work for renowned companies including the Stephen Petronio Company and the Washington Ballet. As a longtime dancer with choreographer Pam Tanowitz, she has served as Rehearsal Director and Artistic Associate for Tanowitz’s company, assisting on new works for major institutions such as The Australian Ballet, Martha Graham Dance Company, and The Royal Ballet. Melissa’s freelance career spans performances with leading artists including Tanowitz, Kyle Abraham, Kimberly Bartosik, Rosie Herrera Dance Theater, Sally Silvers, and the Petronio Company, alongside her own choreographic commissions for Boston Ballet, New York Theater Ballet, and the Vail Dance Festival. She teaches Cunningham Technique at Sydney Dance Company and continues to mentor the next generation of dancers. A prominent voice in the dance community, Melissa has lectured, written for publications like Dance Magazine, and appeared in several films and exhibitions, including the acclaimed Cunningham 3D film.
Shawn is an emerging performing artist hailing from Tampa Bay, FL, where he attended Pinellas County Center for the Arts at Gibbs High School. He continued his studies in Pittsburgh, PA at the Conservatory of Performing Arts at Point Park University, where he received his Bachelor in Fine Arts. During this time he was given opportunities to perform works by Garfield Lemonious, Jae Man Joo, Kiesha Lalama, Jennifer Archibald, Jose Limon, Jason Mcdole, Amy Hall Garner, Robert Priorie, Edwaard Liang, and Camille A. Brown. Before joining the company in 2020. This is Shawn’s third season with BalletX.
Jonah graduated from Marymount Manhattan College in 2019. His formative dance training began with The Academy of Dance Arts, in Illinois. During his time in college he also guested with Visceral Dance Chicago, Martha Graham Dance Company, and Illinois Ballet Theatre. After graduating from college, Jonah joined Aspen Santa Fe Ballet. He joined BalletX in 2021.
Francesca Forcella (Dancer) danced with the Washington Ballet Studio Company, Los Angeles American Contemporary Ballet, and Houston Ballet II, where she toured internationally, representing Houston Ballet at the International Youth Dance Festival in Budapest, Hungary. Francesca joined BalletX in 2013.
Savannah Green (Dancer) studied at Manhattan Youth Ballet and LaGuardia High School for the Performing Arts. She graduated with a BFA from the University of California, Santa Barbara, in 2017, performing works by Jose Limon, Andrea Miller, and Anna Halprin. Savannah joined BalletX in 2020.
Zachary Kapeluck hails from Pittsburgh, Pennsylvania, where he received his early training at Southwest Ballet and Pittsburgh Ballet Theater. He trained at The Juilliard School and Hubbard Street Dance Chicago’s Summer Intensives, and in the summer of 2011, he worked as a guest artist with Mary Miller Dance in Pittsburgh in a project titled Confluence. He graduated with a BFA in Dance from Point Park University, where he had the opportunity to perform works by such choreographers as George Balanchine, Gerald Arpino, Toru Shimazaki, Kevin Iega Jeff, Val Caniparoli, Jessica Lang, and Alejandro Cerrudo. He received training there from Doug Bentz, Kiesha Lalama, Garfield Lemonius, and Dana Arey. Zachary joined BalletX in 2013.
Skyler Lubin (Dancer) danced as a member of the Corps de Ballet with Miami City Ballet from 2010-2014. She has performed featured roles including Flower Festival pas de deux, Swan Lake pas de trios, and Jerome Robbins’ Afternoon of a Faun, and has premiered pieces by Alexei Ratmansky and Liam Scarlett. Skyler joined BalletX in 2015.
Ashley Simpson (Dancer) studied at W. Dreyfoos High School of the Arts and Ailey/Fordham, where she graduated Magna Cum Laude and as a Denise Jefferson Scholar. She is a Princess Grace Honoraria winner and has been featured in Dance Magazine and Pointe Magazine. Ashley joined BalletX in 2020.
RICHARD VILLAVERDE, born and raised in Miami, FL, he began dancing at the age of 13, privately coached by Maria Eugenia Lorenzo, is a New World School of the Arts graduate and received his B.F.A from University of the Arts in Philadelphia, PA. Notably, he was a part of Arsenale della Danza 2012 at La Biennale de Venezia under the direction of Ismael Ivo. He later joined BalletX (2012-2021) where he was featured in works by Matthew Neenan, Kevin O’Day, Dwight Rodan, Nicolo Fonte, Penny Saunders, Cayetano Soto, Trey McIntyre, Jodie Gates, and Annabelle Lopez Ochoa. He’s performed at the Vail International Dance Festival, Ballet Sun Valley, Belgrade Dance Festival as well as at Jacob’s Pillow.
From Jacksonville, Florida, Pete Leo Walker began his training at The Nutmeg Conservatory for the Arts. In 2010 Pete joined Charlotte Ballet under the direction of Jean-Pierre Bonnefoux and Patricia McBride, performing a diverse repertoire including works by George Balanchine, William Forsythe, Twyla Tharp, Jiri Kylian, Jean-Pierre Bonnefoux, Dwight Rhoden, Sasha Janes, and Jiri Bubenicek. In 2011 Pete received the prestigious Princess Grace Dance Fellowship Award and in 2012 was promoted to Principal Artist with the Charlotte Ballet. The following year he was listed in Dance Magazine’s “Top 25 to Watch” and in December 2014, performed Who Cares at the Kennedy Center Honors Awards, as tribute to Patricia McBride. Following his tenure with the Charlotte Ballet, Pete joined Aspen Santa Fe Ballet, touring nationally and internationally and performing works by artists such as Gerald Arpino, Jorma Elo, Cayetano Soto, Alejandro Cerrudo, Alexander Ekman, Nicolo Fonte, and Cherice Barton. While a company member with Aspen Santa Fe Ballet, Pete had the privilege of performing Gerlad Arpino’s Light Rain pas de duex at the Jacob’s Pillow 2016 Season Opening Gala. Pete has been fortunate to return annually as a guest artist at Chautauqua Institution’s Alumni All-Star Ballet Gala. Pete joined BalletX in 2021.
Andrea Yorita is from Irvine,California, where she received her classical ballet training at Academy of Dance, under the direction of Merle Sepel, Rebecca Tsivkin, and Mignon Furman. In 2012, she graduated as a Gillespie Scholar with a BFA in Dance Performance from the University of California, Irvine, where she studied under Jodie Gates, Molly Lynch, and Donald McKayle. Originally trained under the R.A.D. syllabus, Andrea has completed all Vocational R.A.D. exams with Distinction, as well as received the Solo Seal Award. In 2008, Andrea competed as a finalist in the Genée International Ballet Competition in Toronto, Canada. She has participated in the National Choreographers Initiative, as an apprentice, and the Traverse City Dance Project. Andrea was a 2016 Dance Finalist for the Clive Barnes Award. She joined BalletX in 2012.
Currently celebrating its 54th Season, Cleo Parker Robinson Dance is an international, cross-cultural, dance-arts and educational institution rooted in African-American traditions and the Diaspora, dedicated to excellence in performance, instruction, and community programming. The renowned Cleo Parker Robinson Dance Ensemble holds the works of some of the most iconic choreographers of American modern dance in its repertoire, including Katherine Dunham, Donald McKayle, Eleo Pomare, and Alvin Ailey. Cleo Parker Robinson Dance views dance as a universal language of movement which transforms the world and transcends boundaries of culture, class, and age. Cleo Parker Robinson Dance is committed to honoring diversity and inclusiveness throughout the global community.
To learn more about attending a performance through our Community Arts Access program or providing support to eliminate socioeconomic barriers to the arts, please contact Martha Brassel ([email protected])