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“At Vail…, dance artists renew and extend themselves.”
– The New York Times
GERALD R. FORD AMPHITHEATER
For closing night, join us for an evening of new works danced by BalletX and other Festival stars (see below) and choreographed by a selection of today’s most inspiring creative voices including Lil Buck with Lauren Lovette, Michelle Dorrance, Justin Peck, Tiler Peck, Jamar Roberts, Cleo Parker Robinson, and James Whiteside, with new music composed by Christina Courtin, Rhiannon Giddens, Caroline Shaw, and Tyshawn Sorey, performed by musicians including Quartet-In-Residence Brooklyn Rider.
Underwritten by the Town of Vail.
SEE WHO’S PERFORMING
Cleo Parker Robinson Dance Ensemble
Calvin Royal III, Artist-In-Residence
Performance times, casting and repertory are subject to change.
Photo Credit: Lil Buck, Michelle Dorrance, Robbie Fairchild, and Melissa Toogood perform 1-2-3-4-5-6. Photo by Erin Baiano.
Pavilion | $50 | $90 | $115
General Admission Lawn | $27
- Lawn tickets are free for children 12 and under.
- Students and faculty may purchase discounted lawn tickets in-person at the box office for $10.
- The Encore Club Pass is available for purchase for $175 ($95 savings! *including fees). Includes 1 lawn ticket to each performance (9 shows total), plus the ability to upgrade to reserved pavilion seating for $25. Click HERE to purchase the pass on June 1 at 11am MT.
- Questions? Contact the Box Office at firstname.lastname@example.org or call 970.845.TIXS (8497)
*Ticket prices are subject to change. Price listed does not include service fees.
Gates open one hour prior to showtime.
Meet the Performers
Charles “Lil Buck” Riley is a world-renowned and award-winning performing artist, entrepreneur, and advocate for the arts and humanities. Lil Buck’s dance repertoire includes a multitude of styles including Memphis Jookin’, ballet, hip-hop, and modern, just to name a few.
Over the course of his career, he has performed and collaborated with some of the world’s finest artists and brands including Yo-Yo Ma, Madonna, Alicia Keys, Janelle Monáe, Lizzo, Nike, Chanel, Versace, Louis Vuitton, Apple, Jordan, Lexus, Gap, and many others.
Outside of dance, Lil Buck is a true creative and has provided a unique skill-set to top-notch projects which include being a choreographer on the Starz TV series Blindspotting, Season 1 and 2, a guest judge on So You Think You Can Dance, and roles in both the movie Emperor and the feature film Her. Lil Buck designed a capsule collection for Versace and provided artistic consultation to many brands over his lengthy career. Recently, Lil Buck’s story and creative process were captured in the documentary Lil Buck: Real Swan which premiered at the Tribeca Film Festival and in the Netflix documentary series, MOVE.
Lil Buck has always had an entrepreneurial spirit. In 2014, Lil Buck was presented with the Wall Street Journal’s Innovator of the Year award. His strong business acumen is ever present in the many projects that he is involved in outside of dance which include ventures related to food and beverage, brand management, fashion, and production.
Currently, Lil Buck is personally producing multiple major stage shows which culminate the essence of dance as a tool to change the world. One of his newest productions in development transforms Lil Buck back to his home-town roots. Entitled Memphis Jookin’: The Show, this awe inspiring production brings Lil Buck’s career full circle.
Herman Cornejo was born in Villa Mercedes, San Luis province, Argentina, and began his ballet studies at the age of eight at Teatro Colón’s Instituto Superior de Arte, Buenos Aires. At fourteen he received a scholarship from the School of American Ballet, the dance school of New York City Ballet and on his return to Buenos Aires he joined Julio Bocca’s Ballet Argentino. In 1999 Herman joined American Ballet Theatre, New York, was promoted to Soloist in 2000 and was appointed Principal Dancer in 2003. Herman has participated in numerous galas and has performed as Principal Guest Dancer with Ballet del Teatro Argentino de La Plata, Boston Ballet, Compañía de Danza Contemporánea de Cuba, Corella Ballet Castilla y León, New York City Ballet and Sapporo Ballet.
Robert Fairchild began dancing at the age of four in Salt Lake City. He began his training at the School of American Ballet at the age of 15 and shortly after rose through the ranks of the prestigious New York City Ballet. He became an apprentice with NYCB in June 2005. The following June, he joined the Company as a member of the corps de ballet. He was promoted to soloist in May 2007 and was promoted to Principal Dancer in October 2009.
Robert Fairchild made his Broadway debut last year with his breakout role as “Jerry Mulligan” in the Tony Award-winning musical AN AMERICAN IN PARIS. He was nominated for the Tony Award for Best Performance By An Actor in a Leading Role in a Musical, and won the 2015 Drama Desk and Outer Critics Circle Awards for Outstanding Actor in a Musical, the 2015 Astaire Award for Best Male Dancer, and the 2015 Theatre World Award. He was also nominated for the 2015 Drama League Award for Distinguished Performance.
He appears regularly in NYCB’s seasons at Lincoln Center. His roles range from Prince Desirè in The Sleeping Beauty to works by world renowned choreographer William Forsythe. Last Fall he participated in “Broadway at the White House” where he danced for the First Lady Michelle Obama.
TV: “Julie’s Greenroom” on Netflix, Romeo in NYCB’s “Romeo and Juliet” and Carousel Boy in NY Philharmonic’s “Carousel,” both for PBS; “Live From Lincoln Center”, “Dancing With The Stars”, “The Late Show with Stephen Colbert”, “Live with Kelly and Michael”, “CBS Sunday Morning”, “60 Minutes.” Film: NY Export: Opus Jazz.
Lauren Lovette personifies the intertwining of dance and choreography, moving seamlessly from one to the other. Her work has been commissioned and performed by leading dance companies and festivals, including the New York City Ballet, American Ballet Theatre, the Vail International Dance Festival, American Ballet Theatre Studio Company, the Paul Taylor Dance Company, Nevada Ballet Theatre, as well as a self-produced evening entirely of her own work in which she also danced, Why It Matters.
Born in Thousand Oaks, California, Lovette began studying ballet at the age of 11 at the Cary Ballet Conservatory in Cary, North Carolina. She enrolled at SAB as a full time student in 2006. In October 2009, Ms. Lovette became an apprentice with NYCB and joined the Company as a member of the corps de ballet in September 2010. Promoted to soloist in February 2013 and to principal dancer in June 2015, she stepped down from her position at the company in 2021 in order to embark on a career devoted to dance and choreography in more equal measure. She is now the choreographer in residence at the Paul Taylor Dance Company and performs as a guest principal dancer around the world.
Ms. Lovette received the Clive Barnes Award for dance in December 2012 and was the 2012-2013 recipient of the Janice Levin Award.
Mira Nadon was born in Boston, Massachusetts, and began her ballet training at the age of six at the Inland Pacific Ballet Academy in Montclair, California.
She attended summer courses at the School of American Ballet (SAB), the official school of NYCB, in 2014 and 2015, before entering SAB full-time for the 2015 winter term.
In November 2017, Ms. Nadon became an apprentice with NYCB. She joined the Company as a member of the corps de ballet in November 2018. Ms. Nadon was promoted to the rank of soloist in January 2022 and principal in February 2023.
Ms. Nadon has danced as a guest at the Vail Dance Festival and Nantucket Atheneum Dance Festival and has performed as a member of Ballet Collective. She is also a part-time student at Fordham University. She is the recipient of the 2021 Clive Barnes Award for dance and is a 2022 Princess Grace Award winner.
Dario Natarelli is a performer, choreographer, and dance educator specializing in tap dance based in NYC. He is honored to be a part of the Vail Dance family since 2016. Some of his credits include: The Tap Dance Kid (New York City Center Encores!), Tappin’ Thru Life (Off-Broadway), assistant choreographer to Michelle Dorrance (Vail Dance Festival), Dance Captain for Justin Peck (Broadway labs), a 2023 Netflix film with Bradley Cooper and Justin Peck, Newsies (Gateway Original Broadway Choreography), The Kennedy Center (soloist/choreographer), Radio City Christmas Spectacular (National Tour), national commercials, and more. He recently directed and choreographed his first tap dance short film: Lonely World. He is grateful to all friends, family, and mentors for their unconditional support. Respect the dance; go in rhythm. IG @dario_natarelli.
Tiler Peck has been a Principal Dancer with New York City Ballet since 2009. She made her Broadway debut at age 11 as Gracie Shinn in The Music Man and was seen on Broadway as Ivy Smith in the Tony Nominated On The Town. She originated the title role in Susan Stroman’s newest musical Little Dancer at the Kennedy Center and is attached to star in the Broadway production. Tiler made her choreographic debut at the Vail Dance Festival in 2018 and has gone on to choreograph and appear in episodes of Tiny Pretty Things and Ray Donovan, for the Boston Ballet and the box office smash hit film John Wick 3. She has also appeared on Dancing with the Stars, the Kennedy Center Honors and Live From Lincoln Center’s The Nutcracker and Carousel, Disney+’s The Hip Hop Nutcracker, and Josh Groban’s Great Big Radio City Show PBS special. As a guest star, she was the first ballerina ever to appear on The Ellen DeGeneres Show. In film she has starred in “Ballet Now”, a Hulu documentary that followed her as she became the first woman to curate and star in The Los Angeles Music Center’s presentation ofBalletNOW, “Ballet 422”, “A Time for Dancing”, and “Donnie Darko”. She is a recipient of the Princess Grace Statue Award, The Dance Magazine Award and was named one of Forbes 30 under 30. Most recently, she curated and directed the highly anticipated inaugural Artists at the Center for New York City Center that will make its European debut this summer as Turn It Out With Tiler Peck & Friends. This program marked her NYC choreographic debut and featured premieres from William Forsythe, Alonzo King, Jillian Meyers and Michelle Dorrance.
To keep the dance world connected during the pandemic, Tiler developed a free ballet class #TurnItOutWithTiler that airs on her Instagram. She is the designer of the Love,Tiler collection for Só Dança and the capsule collection Tiler Peck X STATESIDE in collaboration with the popular Los Angeles-based clothing company. She has released two children’s books with Simon & Schuster: Katarina Ballerina and Katarina Ballerina & The Victory Dance.
More on Tiler at www.tilerpeck.com. Tiler can be found on Instagram & TikTok via @TilerPeck.
Calvin Royal III
Calvin Royal III
Calvin Royal III is an acclaimed internationally recognized Principal classical ballet dancer. He began his ballet training at fourteen and a half, and received a scholarship from ABT’s Jacqueline Kennedy Onassis School of ballet in 2007. Despite his unprecedented late start, he was promoted to the American Ballet Theatre’s Main Company in 2010, achieved Soloist in 2017, and Principal Dancer in 2020. This makes him the third African-American artist to achieve this honor in the history of the iconic Company – following in the footsteps of Desmond Richardson and Misty Copeland.
Calvin has performed star turns throughout ABT’s global tours, and at the Lincoln Center for the Performing Arts in New York City – as the title role in George Balanchine’s Apollo, Prince Siegfried in Swan Lake, Romeo in Romeo and Juliet, The Prince in Alexei Ratmansky’s The Nutcracker, Count Albrecht in Giselle, and has worked with notable choreographers such as Twyla Tharp, Justin Peck, Benjamin Millepied, Alonzo King, Mark Morris, Wayne McGreggor, Kyle Abraham, Michelle Dorrance, Jamar Roberts, and many more.
Calvin was a finalist at the Clive Barnes Awards, the winner of the Leonore Annenberg Fellowship, a cover star of Dance Magazine in July 2020, and was the 2020/21 Artist in Residence at the Vail Dance Festival in Vail, Colorado. He is represented by IMG Models and has been featured in global campaigns for GAP, Tommy Hilfiger, Calvin Klein, Target, Ralph Lauren, Mavi Jeans, Canali, and has partnered with Deckers Brands, HOKA, Johnnie Walker and The Luxury Collection hotels. Follow Calvin on Instagram & TikTok @calvinroyaliii
Born on Long Island, New York, Cory Stearns began his classical training at the age of five with Mme. Valia Seiskaya at the Seiskaya Ballet. At age fifteen, he participated in the Youth America Grand Prix and was offered a full scholarship to The Royal Ballet School in London. Stearns performed in Madrid, Moscow, Milan, Düsseldorf and London while at The Royal, and appeared with Kylie Minogue in her music video Chocolate in 2004. Upon graduating from The Royal Ballet School with honors, he received, for the second year, the Dame Ruth Railton Award for excellence in dance.
Stearns joined the American Ballet Theatre Studio Company in September 2004, the main Company as an apprentice in January 2005 and became a member of the corps de ballet in January 2006. He was appointed a Soloist in January 2009 and a Principal Dancer in January 2011.
Stearns repertory with the Company includes The Man in AfterEffect, Solor in La Bayadère, The Ballet Dancer in The Bright Stream, a featured role in Brief Fling, Her Prince Charming in Cinderella, Conrad in Le Corsaire, Daphnis in Daphnis and Chloe, Basilio and Espada in Don Quixote, Oberon in The Dream, a leading role in Études, Second Sailor in Fancy Free, Colas in Las Fille mal gardée, Kaschei in Firebird. Baron in Gaîté Parisienne, Albrecht in Giselle, Astrologer in The Golden Cockerel, Grand Pas Classique, Her Lover in Jardin aux Lilas, Armand Duval in Lady of the Camellias, The Leaves Are Fading pas de deux, Des Grieux in Manon, Beliaev in A Month in the Country, His Friend in The Moor’s Pavane, the Nutcracker-Prince in Alexei Ratmansky’s The Nutcracker, Onegin in Onegin, Iago and a Carnival Dancer in Othello, Other Dances, Man From the House Opposite in Pillar of Fire, Romeo and Paris in Romeo and Juliet, the Terrestrial in Shadowplay, Prince Désiré in Ratmansky’s The Sleeping Beauty, Prince Désiré, the Celtic Prince and a Fairy Knight in The Sleeping Beauty, Prince Siegfried and von Rothbart in Swan Lake, Act III, Juliet, James in La Sylphide, the Poet in Les Sylphides, Orion and Apollo in Sylvia, Prospero in The Tempest, Prince Coffee in Whipped Cream, The Awakening Pas de Deux, leading roles in Allegro Brillante, Duo Concertant, Études, Mozartiana Monotones II, Raymonda Divertissements and With a Chance of Ran and roles in The Brahms-Haydn Variations, Citizen, Drink to Me Only With Thine Eyes, Duets, Everything Doesn’t Happen at Once, In the Upper Room, The Leaves Are Fading, Overgrown Path, Mozartiana, Rabbit and Rogue, Raymonda Divertissements, Symphony in C and Thirteen Diversions.
Stearns created roles in AFTERITE, From Here On Out, Her Notes, One of Three, Piano Concerto #1, Private Light and I Feel The Earth Move.
Stearns won the 2009 Erik Bruhn Prize for best male dancer.
Devon Teuscher began her ballet training at the age of nine under Deanna Doty of the Champaign Urbana Ballet Academy in Champaign, IL. When her family moved to Vermont, she continued her training at the Vermont Ballet Theatre School in Essex, Vermont under the direction of Alex and Kirsten Nagiba. At the age of eleven, Teuscher attended The Kirov Ballet Academy summer intensive. She also attended the Pacific Northwest Ballet summer intensive on full scholarship for two years.
From 2002 to 2006 Teuscher attended American Ballet Theatre’s Summer Intensive, and was a National Training Scholar from 2003 to 2006. In January 2005 at the age of 15, Teuscher relocated to New York City to dance at American Ballet Theatre’s Jacqueline Kennedy Onassis School on full scholarship.
Teuscher joined ABT Studio Company in 2006. She joined American Ballet Theatre as an apprentice in December 2007 and the corps de ballet in June 2008. She became a Soloist in August 2014 and Principal Dancer in September 2017.
Teuscher was nominated for the Clive Barnes Award in 2014 and received the Leonore Annenberg Arts Fellowship in 2016.
At a young age, Byron Tittle began tap dancing with David Rider and the American Tap Dance Foundation in his hometown of New York. Determined to be a multi-faceted artist, he trained weekly at Broadway Dance Center and Steps on Broadway in other disciplines: ballet, jazz, hip-hop foundations, modern, and dancehall. Byron is a co-captain of Dorrance Dance, touring with the tap dance company for the last decade. He is humbled to have been a featured dancer with Hugh Jackman’s 2019 “The Man, The Music, The Show,” touring The United States, Australia, and New Zealand, and in Jon M. Chu’s soon-to premiere feature film “In the Heights.” He is also a recipient of a 2019 Princess Grace Foundation Dance Fellowship Award.
Melissa Toogood is a Sydney and New York based Dancer, Master Teacher, Stager, Coach, Contributor, Mother, and sometimes Choreographer. She is a New York and Performance Award (Bessie) winning Performer. Melissa is both Dancer and Rehearsal Director for Pam Tanowitz Dance. She has assisted Tanowitz on new creations for the Australian Ballet, L.A. Dance Project, Martha Graham Dance Company, Paul Taylor Dance Company, The Royal Ballet, and others. She was a member of the Merce Cunningham Dance Company, is a 2013 & 2015 Merce Cunningham fellow, has taught Cunningham Technique since 2007, and is a licensed Stager of Merce Cunningham’s work. She has performed with Kyle Abraham/A.I.M., Kimberly Bartosik/Daela, Rosie Herrera Dance Theater, Rashaun Mitchell + Silas Reiner, Stephen Petronio Company, Sally Silvers & Dancers, Christopher Williams, The Bang Group: Tap Lab, Bill Young and many others. Her own work has been commissioned by the Boston Ballet, New York Theater Ballet and the Vail International Dance Festival. This year marks Melissa’s 10th season with the Festival.
Shawn is an emerging performing artist hailing from Tampa Bay, FL, where he attended Pinellas County Center for the Arts at Gibbs High School. He continued his studies in Pittsburgh, PA at the Conservatory of Performing Arts at Point Park University, where he received his Bachelor in Fine Arts. During this time he was given opportunities to perform works by Garfield Lemonious, Jae Man Joo, Kiesha Lalama, Jennifer Archibald, Jose Limon, Jason Mcdole, Amy Hall Garner, Robert Priorie, Edwaard Liang, and Camille A. Brown. Before joining the company in 2020. This is Shawn’s third season with BalletX.
Jonah graduated from Marymount Manhattan College in 2019. His formative dance training began with The Academy of Dance Arts, in Illinois. During his time in college he also guested with Visceral Dance Chicago, Martha Graham Dance Company, and Illinois Ballet Theatre. After graduating from college, Jonah joined Aspen Santa Fe Ballet. He joined BalletX in 2021.
Francesca Forcella started dancing for BalletX in 2013 after working with Houston Ballet II (HBII), the Washington Ballet Studio Company, and Los Angeles’ American Contemporary Ballet. She began her training with all styles of dance from tap and hip hop, to ballet and jazz with her aunt, Gina Forcella, at Dance Stop Education Center in New Jersey, and then later focused on her ballet training with Risa Kaplowitz and former ABT principal dancer, Susan Jaffe, at Princeton Dance and Theater in Princeton, NJ. At the age of 16, she joined HBII under the artistic direction of Stanton Welch with Claudio Munoz and Sabrina Lenzi as ballet master and mistress. Francesca had opportunities with HBII to perform alongside the main company and to tour both nationally and internationally. In 2011, she represented Houston Ballet at the International Youth Dance Festival in Budapest, Hungary. Along with performing in many Washington Ballet productions during Francesca’s time in DC, she was a 2012 recipient of a Helen Hayes award for her work in Imagination Stage’s production of The Lion, The Witch, and the Wardrobe, in which she played the dancer roles of Lucy and the White Witch. In 2015, while on a vacation period with BalletX, Francesca briefly returned to guest with the Washington Ballet in Swan Lake under her former artistic director, Septime Webre. Since joining BalletX in 2013, Francesca has been a part of countless world premieres, processes, and collaborations, and has worked with many well-renowned choreographers.
Savannah Green was born and raised in New York City, where she attended LaGuardia High School for Performing Arts as a Dance Major and Manhattan Youth Ballet on a full merit scholarship. She studied at Manhattan Youth Ballet on a full merit scholarship, performing featured roles in professional level repertoire including George Balanchine’s Stars & Stripes, Emeralds, and Serenade, as well as Jerome Robbins’ Interplay. Savannah graduated from University of California, Santa Barbara in June 2017 with a BFA in Dance and a minor in Political Science. In her final year at UCSB, she was a member of the Student Dance Company and spent the year touring internationally and performing works by José Limón, Andrea Miller, and Anna Halprin, among others. During that time, Savannah was privileged to be a featured soloist in Limón’s tribute to Isadora Duncan, Dances for Isadora. In May 2017, she travelled to New York City with the Student Dance Company to perform as part of The Radical Bodies Exhibition at Hunter College. Savannah also worked with Buglisi Dance Theater, performing new works in New York City and the Kaatsbaan International Dance Center. She also had the opportunity to perform in Jacqulyn Buglisi’s Table of Silence at UCSB, as well as in New York City. She performed at the Vail Dance Festival in Merce Cunningham’s Antic Meet, staged by Melissa Toogood. She spent a season as a Dance Fellow with BalletX, before being asked to join as a company member for the 2020-2021 15th Anniversary Season.
Zachary Kapeluck hails from Pittsburgh, Pennsylvania, where he received his early training at Southwest Ballet and Pittsburgh Ballet Theater. He trained at The Juilliard School and Hubbard Street Dance Chicago’s Summer Intensives, and in the summer of 2011, he worked as a guest artist with Mary Miller Dance in Pittsburgh in a project titled Confluence. He graduated with a BFA in Dance from Point Park University, where he had the opportunity to perform works by such choreographers as George Balanchine, Gerald Arpino, Toru Shimazaki, Kevin Iega Jeff, Val Caniparoli, Jessica Lang, and Alejandro Cerrudo. He received training there from Doug Bentz, Kiesha Lalama, Garfield Lemonius, and Dana Arey. Zachary joined BalletX in 2013.
Skyler Lubin received her early training from The Rock School for Dance Education in Philadelphia, during which time she won third place for the Pas de Deux category at the Youth American Grand Prix Competition. In 2008, Skyler was asked to perform in The Stars of Today Meet the Stars of Tomorrow Gala. She then continued her training at the Miami City Ballet School. Skyler also attended summer programs at The School of American Ballet, San Francisco Ballet, and American Ballet Theatre. From 2010-2014, Skyler danced as a member of the Corps de Ballet with Miami City Ballet under the direction of Edward Villella and Lourdes Lopez. She has performed in featured roles including Flower Festival pas de deux, Swan Lake pas de trois, and Jerome Robbins’s Afternoon of a Faun, and has premiered pieces by Alexei Ratmansky and Liam Scarlett. Skyler joined BalletX in 2015 and has since performed in numerous world premieres.
Ashley Simpson is originally from West Palm Beach, Florida and trained at A.W Dreyfoos High School of the Arts and School of Ballet Arts. In 2016, Ashley became a Young Arts Winner and went on to the Ailey/Fordham school as a Dance major and Communications minor, graduating Magna Cum Laude. During her time in college, Ashley performed the works of such choreographers as Dwight Rhoden, Alvin Ailey, Bradley Shelver, Nijawwon Matthews, Janice Rosario, Troy Powell, and Hope Boykin. While there, Ashley was awarded the Denise Jefferson Memorial Scholarship. Additionally Ashley joined XY Dance Project, a dance company led by Nijawwon Matthews, performed with the Alvin Ailey American Dance Theatre, and was a trainee/apprentice for Complexions Contemporary Ballet, performing with the company during their Joyce season. During her senior year at Ailey/Fordham, Ashley joined the Collage Dance Collective and was able to work professionally while finishing her last year of college. While in New York, Ashley was part of the dance ensemble for the movie production of Lin Manuel Miranda’s ‘In The Heights’, and did promotional dancing for Elaine Welteroth’s book ‘More Than Enough’. To supplement her training, Ashley attended Jacob’s Pillow Contemporary Program, Arts Umbrella, Alonzo King Lines, Juilliard, Orlando Ballet, BalletX, Central Pennsylvania Youth Ballet, Joffrey Chicago, and Next Generation Ballet summer intensives. In 2022 Ashley danced for Vogue’s New York Fashion Week event ‘Vogue World’, and became a recipient of the ‘Honoraria’ Princess Grace Award. This is Ashley’s third season with BalletX.
RICHARD VILLAVERDE, born and raised in Miami, FL, he began dancing at the age of 13, privately coached by Maria Eugenia Lorenzo, is a New World School of the Arts graduate and received his B.F.A from University of the Arts in Philadelphia, PA. Notably, he was a part of Arsenale della Danza 2012 at La Biennale de Venezia under the direction of Ismael Ivo. He later joined BalletX (2012-2021) where he was featured in works by Matthew Neenan, Kevin O’Day, Dwight Rodan, Nicolo Fonte, Penny Saunders, Cayetano Soto, Trey McIntyre, Jodie Gates, and Annabelle Lopez Ochoa. He’s performed at the Vail International Dance Festival, Ballet Sun Valley, Belgrade Dance Festival as well as at Jacob’s Pillow.
Pete Leo Walker
Pete Leo Walker
From Jacksonville, Florida, Pete Leo Walker began his training at The Nutmeg Conservatory for the Arts. In 2010 Pete joined Charlotte Ballet under the direction of Jean-Pierre Bonnefoux and Patricia McBride, performing a diverse repertoire including works by George Balanchine, William Forsythe, Twyla Tharp, Jiri Kylian, Jean-Pierre Bonnefoux, Dwight Rhoden, Sasha Janes, and Jiri Bubenicek. In 2011 Pete received the prestigious Princess Grace Dance Fellowship Award and in 2012 was promoted to Principal Artist with the Charlotte Ballet. The following year he was listed in Dance Magazine’s “Top 25 to Watch” and in December 2014, performed Who Cares at the Kennedy Center Honors Awards, as tribute to Patricia McBride. Following his tenure with the Charlotte Ballet, Pete joined Aspen Santa Fe Ballet, touring nationally and internationally and performing works by artists such as Gerald Arpino, Jorma Elo, Cayetano Soto, Alejandro Cerrudo, Alexander Ekman, Nicolo Fonte, and Cherice Barton. While a company member with Aspen Santa Fe Ballet, Pete had the privilege of performing Gerlad Arpino’s Light Rain pas de duex at the Jacob’s Pillow 2016 Season Opening Gala. Pete has been fortunate to return annually as a guest artist at Chautauqua Institution’s Alumni All-Star Ballet Gala. Pete joined BalletX in 2021.
Andrea Yorita is from Irvine,California, where she received her classical ballet training at Academy of Dance, under the direction of Merle Sepel, Rebecca Tsivkin, and Mignon Furman. In 2012, she graduated as a Gillespie Scholar with a BFA in Dance Performance from the University of California, Irvine, where she studied under Jodie Gates, Molly Lynch, and Donald McKayle. Originally trained under the R.A.D. syllabus, Andrea has completed all Vocational R.A.D. exams with Distinction, as well as received the Solo Seal Award. In 2008, Andrea competed as a finalist in the Genée International Ballet Competition in Toronto, Canada. She has participated in the National Choreographers Initiative, as an apprentice, and the Traverse City Dance Project. Andrea was a 2016 Dance Finalist for the Clive Barnes Award. She joined BalletX in 2012.
Cleo Parker Robinson Dance
Cleo Parker Robinson Dance
Currently celebrating its 51st Season, Cleo Parker Robinson Dance is an international, cross-cultural, dance-arts and educational institution rooted in African-American traditions and the Diaspora, dedicated to excellence in performance, instruction, and community programming. The renowned Cleo Parker Robinson Dance Ensemble holds the works of some of the most iconic choreographers of American modern dance in its repertoire, including Katherine Dunham, Donald McKayle, Eleo Pomare, and Alvin Ailey. Cleo Parker Robinson Dance views dance as a universal language of movement which transforms the world and transcends boundaries of culture, class, and age. Cleo Parker Robinson Dance is committed to honoring diversity and inclusiveness throughout the global community.