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GERALD R. FORD AMPHITHEATER
A brilliant cast of dancers and musicians take the stage in these signature Festival performances. Celebrating artistic collaboration and innovation, these unique evenings feature new partnerships and role debuts by a selection of today’s premier dancers.
Performance underwritten by Judy & Howard Berkowitz.
*International Evenings of Dance II will be performed without intermission
Performance times, casting and repertory are subject to change
Interested in the 8pm performance of International Evenings of Dance II? LEARN MORE
SEE WHO’S PERFORMING
Calvin Royal III, Artist-In-Residence
Photo Credit: Roman Mejia and musicians Alberta Khoury, Brooklyn Rider and Dario Natarelli perform Alexei Ratmansky’s Fandango. Photo by Christopher Duggan.
Pavilion | $60 | $100 | $140
General Admission Lawn | $27
- Lawn tickets are free for children 12 and under.
- Students and faculty may purchase discounted lawn tickets in-person at the box office for $10.
- The Encore Club Pass is available for purchase for $175 ($95 savings! *including fees). Includes 1 lawn ticket to each performance (9 shows total), plus the ability to upgrade to reserved pavilion seating for $25. Click HERE to purchase the pass on June 1 at 11am MT.
- Questions? Contact the Box Office at firstname.lastname@example.org or call 970.845.TIXS (8497)
*Ticket prices are subject to change. Price listed does not include service fees.
Gates open one hour prior to showtime.
International Evenings of Dance II will have two performances: 5pm & 8pm
Meet the Performers
India Bradley is a member of New York City Ballet’s corps de ballet. Born in Detroit, Michigan, she began her dance training locally at the age of four. She received additional training from Dance Theatre of Harlem’s Professional Training Program before entering the School of American Ballet in 2014. She was named an apprentice in 2017, and joined the Company in 2018. Her repertory includes leading roles in works by George Balanchine, Kyle Abraham, Andrea Miller, Justin Peck, and Pam Tanowitz.
Lil Buck is a movement artist who began jookin at age 13. Named one of Dance Magazine’s 25 to Watch, he gained international notoriety after an impromptu piece with Yo-Yo Ma went viral. Since then he has collaborated with artists including JR, Damian Woetzel, the New York City Ballet, Madonna, Benjamin Millepied, and Spike Lee. Buck is an avid arts education advocate, recipient of the WSJ Innovator Award. He has collaborated with brands like Glenfiddich and Louis Vuitton, and launched a capsule collection with Versace.
Herman Cornejo was born in Villa Mercedes, San Luis province, Argentina, and began his ballet studies at the age of eight at Teatro Colón’s Instituto Superior de Arte, Buenos Aires. At fourteen he received a scholarship from the School of American Ballet, the dance school of New York City Ballet and on his return to Buenos Aires he joined Julio Bocca’s Ballet Argentino. In 1999 Herman joined American Ballet Theatre, New York, was promoted to Soloist in 2000 and was appointed Principal Dancer in 2003. Herman has participated in numerous galas and has performed as Principal Guest Dancer with Ballet del Teatro Argentino de La Plata, Boston Ballet, Compañía de Danza Contemporánea de Cuba, Corella Ballet Castilla y León, New York City Ballet and Sapporo Ballet.
Robbie Fairchild was born in Salt Lake City, Utah, and began his dance training at Dance Concepts. His formal ballet training began at the age of ten at the Ballet West Conservatory. Mr. Fairchild attended the 2002 and 2003 summer courses at the School of American Ballet (SAB), the official school of New York City Ballet, and enrolled as a full time student in the fall of 2003. In June 2005, Mr. Fairchild became an apprentice with NYCB, and the following June, he joined the Company as a member of the corps de ballet. He was promoted to soloist in May 2007, and in October 2009 was promoted to principal dancer.
Christopher Grant was born in Jamaica, Queens. He began his dance training at the School of American Ballet (SAB), the official school of New York City Ballet, in 2002. Additional training includes summer courses at Pacific Northwest Ballet (PNB) and the New York State Summer School of the Arts.
In August 2015, Mr. Grant became an apprentice with NYCB. As an apprentice with the Company, Mr. Grant originated a featured role in Nicolas Blanc’s Mothership. He joined the Company as a member of the corps de ballet in August 2016.
Mr. Grant was a recipient of the Mae L. Wien Award for Outstanding Promise in 2014.
Lauren Lovette is a principal ballerina who danced with the New York City Ballet from 2010-2021 while alsogrowing herself as an independent and acclaimed choreographer. In her time with the NYCB she has earned boththe Janice Levin Award and the Clive Barnes Award for dance.
She has created works for the New York City Ballet, American Ballet Theatre, American Ballet Theatre’s StudioCompany, Paul Taylor Dance Company, Nevada Ballet Theater, among others. Her collaborators include musicianKate Davis, poet Andrea Gibson, and fashion designers Fernando Garcia and Laura Kim of Oscar de laRenta/MONSE, Zac Posen, Narciso Rodriguez and Victor Glemaud.
In 2019 Ms. Lovette was named Artist-in-Residence for Damian Woetzel’s prestigious Vail Dance Festival. In2018, she was awarded a Virginia B. Toulmin Fellowship for Women Leaders in Dance at The Center for Balletand the Arts at New York University.
Lauren is now the Executive Director of her new company Lauren Lovette Studio, Inc. that will bring moreawareness to the aspects of classical ballet that she believes must be preserved and celebrated. Lauren LovetteStudio, Inc. has developed an initiative named Why It Matters and has plans to bring Live performance events tovarious cities around the US and abroad. These Live experiences will all exist for the sole purpose of showcasingwhy the art form of dance matters so dearly to her and her fellow dance lovers.
Mira Nadon was born in Boston, Massachusetts, and began her ballet training at the age of six at the Inland Pacific Ballet Academy in Montclair, California under the direction of Victoria Keonig and Jill Voznick.
She attended summer courses at the School of American Ballet (SAB), the official school of NYCB, in 2014 and 2015, before entering SAB full-time for the 2015 winter term.
In November 2017, Ms. Nadon became an apprentice with NYCB and as an apprentice she originated a corps role in Gianna Reisen’s Judah. She joined the Company as a member of the corps de ballet in November 2018.
Ms. Nadon was promoted to the rank of soloist in January 2022.
Photo © Erin Baiano
Dario is a 2016 graduate of Fiorello H. LaGuardia HS of Music & Art and Performing Arts and a 2020 Cum Laude graduate of The Pennsylvania State University’s BFA Musical Theatre Program. Credits include: Vail Dance Festival (2016-present), Tap Dance Kid (NYCC Encores!), DanceCaptain & Swing for Justin Peck (Broadway Labs), Tappin’ Thru Life with Maurice Hines (Off-Broadway), Funny Girl (Broadway Pre Production), The Radio City Christmas Spectacular(National Tour), A Salute to the Presidential Scholars at The Kennedy Center directed by Debbie Allen, Breaking Brooklyn (film), Vail Dance Festival (performer/soloist), Assistant Choreographer to Michelle Dorrance at Vail Dance Festival, Jazz at Lincoln Center, national commercials, and more. Dario is a tap dance teacher at the acclaimed Broadway Dance Center in New York City. Dario is grateful to all of his teachers and supporters, at Penn State and throughout his training -especially his late tap dance mentor, Robert L. Reed, who always reminded him to “Respect the dance.”
Unity Phelan is a Principal Dancer with New York City Ballet. Born in Princeton, NJ, she began her dance training at age 5 at the Princeton Ballet School and came to the School of American Ballet in 2009. Named an NYCB apprentice in 2012, she joined the NYCB corps de ballet in 2013, was promoted to Soloist in 2017, and to Principal Dancer in 2021. Her repertory includes leading roles in works by George Balanchine, Jerome Robbins, Robert Binet, William Forsythe, Lauren Lovette, Peter Martins, Andrea Miller, Matthew Neenan, Justin Peck, Alexei Ratmansky, Jamar Roberts, and Christopher Wheeldon.
Tiler Peck has been a Principal Dancer with New York City Ballet since 2009. She made her Broadway debut at age 11 as Gracie Shinn inThe Music Man and was seen on Broadway as Ivy Smith in the Tony Nominated On The Town.She originated the title role in Susan Stroman’s newest musical Little Dancer at the Kennedy Center and is attached to star in the Broadway production. Tiler made her choreographic debut at the Vail Dance Festival in 2018 and has gone on to choreograph and appear in episodes of Tiny Pretty Things and Ray Donovan, and she recently choreographed the box office smash hit film John Wick 3. She has also appeared on Dancing with the Stars, the Kennedy Center Honors and Live From Lincoln Center’s The Nutcracker and Carousel. As a guest star, she was the first ballerina ever to appear on The Ellen DeGeneres Show. In film she has starred in “Ballet Now”, a Hulu documentary that followed her as she became the first woman to curate and star in The Los Angeles Music Center’s presentation of BalletNOW, “Ballet 422”, “A Time for Dancing”, and “Donnie Darko”. She is a recipient of the Princess Grace Statue Award, The Dance Magazine Award and was named one of Forbes 30 under 30.
To keep the dance world connected during the pandemic, Tiler developed a free ballet class #TurnItOutWithTiler that airs on her Instagram. She is the designer of Tiler Peck Designs for Body Wrappers, a studio-to-streetwear clothing line and is also the designer of the capsule collection Tiler Peck X STATESIDE in collaboration with the popular Los Angeles-based clothing company. She has released two children’s books with Simon & Schuster, Katarina Ballerina and Katarina Ballerina & The Victory Dance.
Calvin Royal III
Calvin Royal III
Calvin Royal III began his formal dance training at the Pinellas County Center for the Arts in St. Petersburg, Florida under the direction of Suzanne Pomerantze and Patricia L. Paige. He was a ﬁnalist at the Youth America Grand Prix Competition, and was awarded the Ethan Stiefel Scholarship to train at American Ballet Theatre’s (ABT) Jacqueline Kennedy Onassis School in 2006. Royal joined ABT II in 2008, ABT main company as a member of the corps de ballet in April 2011. In September 2017 he was promoted to Soloist and in September 2020 Royal was appointed Principal Dancer with ABT. He has soared across stages worldwide with ABT in productions of Swan Lake, Manon, Fancy Free, Apollo, Giselle, and Romeo & Juliet. Royal has been featured in works by Twyla Tharp, Christopher Wheeldon, Alexei Ratmansky, Kyle Abraham, Justin Peck, Wayne McGreggor, Michelle Dorrance, Jamar Roberts, and many more. He was nominated for numerous awards including the Clive Barnes Award, the winner of the Leonore Annenberg Fellowship in 2014, a $50,000 grant to further his artistic development working with private coaches at the Paris Opera Ballet, Royal Ballet, Mariinsky Ballet and Royal Danish Ballet. Royal was named the July 2020 cover star of Dance Magazine, and continues to expand his outreach in mentorship as well as conducting masterclass series for young dance students worldwide. Royal is represented by IMG Models and has been featured in global campaigns for GAP, Tommy Hilﬁger, Calvin Klein, Ralph Lauren, Canali, starred in the 2019 Pirelli Calendar alongside Misty Copeland, and named the 2020/21 Artist-in-Residence here at the Vail Dance Festival.
Follow Calvin on Instagram @calvinroyaliii and to learn more visit calvinroyaliii.com.
Born on Long Island, New York, Cory Stearns began his classical training at the age of five with Mme. Valia Seiskaya at the Seiskaya Ballet. At age fifteen, he participated in the Youth America Grand Prix and was offered a full scholarship to The Royal Ballet School in London. Stearns performed in Madrid, Moscow, Milan, Düsseldorf and London while at The Royal, and appeared with Kylie Minogue in her music video Chocolate in 2004. Upon graduating from The Royal Ballet School with honors, he received, for the second year consecutively, the Dame Ruth Railton Award for excellence in dance. Stearns joined the American Ballet Theatre Studio Company in September 2004, the main Company as an apprentice in January 2005 and became a member of the corps de ballet in January 2006. He was appointed a Soloist in January 2009 and a Principal Dancer in January 2011. Stearns won the 2009 Erik Bruhn Prize for best male dancer.
Devon Teuscher began her ballet training at the age of nine under Deanna Doty of the Champaign Urbana Ballet Academy in Champaign, IL. When her family moved to Vermont, she continued her training at the Vermont Ballet Theatre School in Essex, Vermont under the direction of Alex and Kirsten Nagiba. At the age of eleven, Teuscher attended The Kirov Ballet Academy summer intensive. She also attended the Pacific Northwest Ballet summer intensive on full scholarship for two years.
From 2002 to 2006 Teuscher attended American Ballet Theatre’s Summer Intensive, and was a National Training Scholar from 2003 to 2006. In January 2005 at the age of 15, Teuscher relocated to New York City to dance at American Ballet Theatre’s Jacqueline Kennedy Onassis School on full scholarship.
Teuscher joined ABT Studio Company in 2006. She joined American Ballet Theatre as an apprentice in December 2007 and the corps de ballet in June 2008. She became a Soloist in August 2014 and Principal Dancer in September 2017.
Teuscher was nominated for the Clive Barnes Award in 2014 and received the Leonore Annenberg Arts Fellowship in 2016.
At a young age, Byron Tittle began tap dancing with David Rider and the American Tap Dance Foundation in his hometown of New York. Determined to be a multi-faceted artist, he trained weekly at Broadway Dance Center and Steps on Broadway in other disciplines: ballet, jazz, hip-hop foundations, modern, and dancehall. Byron is a co-captain of Dorrance Dance, touring with the tap dance company for the last decade. He is humbled to have been a featured dancer with Hugh Jackman’s 2019 “The Man, The Music, The Show,” touring The United States, Australia, and New Zealand, and in Jon M. Chu’s soon-to premiere feature film “In the Heights.” He is also a recipient of a 2019 Princess Grace Foundation Dance Fellowship Award.
Melissa Toogood is a New York Dance and Performance Award winning Performer. She is Dancer, Rehearsal Director and Artistic Associate for Pam Tanowitz Dance. Melissa was a member of the Merce Cunningham Dance Company, has taught Cunningham Technique internationally since 2007, is a 2013 & 2015 Merce Cunningham fellow, and is an official stager for the Merce Cunningham Trust. She has performed with Kyle Abraham/Abraham.In.Motion, Kimberly Bartosik, Wally Cardona, Rosie Herrera Dance Theater, Stephen Petronio Company, Miro Dance Theater, Rashaun Mitchell + Silas Reiner, Sally Silvers, Michael Uthoff Dance Theater, Christopher Williams, The Bang Group:Tap Lab, and others. She has made work for New York Theater Ballet, Boston Ballet, Vail Dance Festival and created her own show titled Set A|Part in collaboration with her sister Jodie Toogood and visual artist Kenneth E. Parris III. Dance Magazine named her in their 25 to watch (2014) and featured her in the inaugural episode of Behind the Curtain. Toogood is originally from Sydney, Australia, is a proud mom, and holds a B.F.A in Dance Performance from New World School of the Arts, Miami, FL.
Born in Fairfield, Connecticut, James Whiteside began his training at age nine at the D’Valda & Sirico Dance and Music Centre, where guest faculty included Charles Kelley, Franco De Vita and Raymond Lukens. He continued his training at the Virginia School of the Arts for one year under the direction of Petrus Bosman and David Keener. In 2002, Whiteside joined Boston Ballet II, where he continued to train under the tutelage of its director Raymond Lukens, now director of ABT’s National Training Curriculum. Whiteside joined the corps de ballet of Boston Ballet in 2003 and became a second soloist in 2006. He was promoted to first soloist in 2008 and to principal dancer with Boston Ballet in 2009.
Whiteside’s repertoire with Boston Ballet included Principal roles in George Balanchine’s Theme and Variations, Coppélia, Ballo della Regina, Rubies, The Four Temperaments(Sanguinic), Tchaikovsky Pas de Deux, Who Cares?, Serenade, A Midsummer Night’s Dream, Symphony in 3 and La Valse; Maina Gielgud’s Giselle; Mikko Nissinen’s The Nutcracker and Swan Lake; John Cranko’s Taming of the Shrew and Romeo and Juliet; Marius Petipa’s The Sleeping Beauty and Raymonda Act III; Antony Tudor’s Dark Elegies; Jiří Kylián’s Bella Figura, Sarabande, Petite Mort and Sechs Tänze; Twyla Tharp’s In the Upper Room; and Mark Morris’ Drink to Me Only With Thine Eyes. He created roles in Jorma Elo’s Brake the Eyes, Plan to B, Carmen, Slice to Sharper and In On Blue; Helen Pickett’s Eventide and Etesian; and Mark Morris’ Up & Down.
Whiteside joined American Ballet Theatre as a Soloist in September 2012 and was named a Principal Dancer in October 2013. His repertoire with the Company includes Solor in La Bayadère, the Prince in Frederick Ashton’s Cinderella, Conrad and Ali, the Slave in Le Corsaire, Bryaxis in Daphnis and Chloe, Basilio and Espada in Don Quixote, Oberon in The Dream, the third sailor in Fancy Free, Colas in La Fille mal gardée, Albrecht in Giselle, Astrologer in The Golden Cockerel, Lescaut in Manon, the Nutcracker Prince in Alexei Ratmansky’s The Nutcracker, Iago in Othello, Romeo in Romeo and Juliet, Prince Désiré in The Sleeping Beauty, Prince Siegfried and von Rothbart (Ballroom) in Swan Lake, Orion in Sylvia, Caliban in The Tempest, Prince Coffee in Whipped Cream, leading roles in Bach Partita, The Brahms-Haydn Variations, Duo Concertant, Chamber Symphony, Her Notes, Raymonda Divertissements, Symphonic Variations, Symphony in C, Theme and Variations and Valse Fantaisie and featured roles in Gong, Drink to Me Only With Thine Eyes, In the Upper Room and Sinfonietta, .He created The Man in AfterEffect and leading roles in Serenade after Plato’s Symposium and With a Chance of Rain.
James Whiteside is also known for his theatrical personas JbDubs, pop-dance artist, and Ühu Betch, part of the hilarious drag posse The Dairy Queens.