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GERALD R. FORD AMPHITHEATER
A brilliant cast of dancers and musicians take the stage in these signature Festival performances. Celebrating artistic collaboration and innovation, these unique evenings are full of surprises and unique “only in Vail” partnerships and role debuts by a selection of dance stars from around the world.
YouthPower365’s Celebrate the Beat Pop Hop Camp will perform the curtain teaser this evening!
Generously Underwritten by Marge & Phil Odeen.
SEE WHO’S PERFORMING:
Chun Wai Chan
Calvin Royal III
Scholars-In-Residence: Yeva-Mariia Skorenka, Polina Chepyk, and Eva Hrytsak
Casting and repertory are subject to change.
Interested in International Evenings of Dance II on Saturday, August 6? CLICK HERE.
Photo Credit: Devon Teuscher and Cory Stearns perform Todd Bolender’s The Still Point. Photo by Christopher Duggan.
Pavilion | $60-150
General Admission Lawn | $29
MORE TICKETING INFORMATION:
- We are offering a number of ticket packages and offerings this year. View them HERE.
- Children 12 and under receive free admission on the lawn with the purchase of an adult ticket.
- Students and faculty may purchase discounted lawn tickets for $10 each (excludes Dance for $20.22 and performances at the Vilar Performing Arts Center).
- Ticket prices are subject to change. Price listed does not include service fees.
- Questions? Contact the Box Office at firstname.lastname@example.org or call 970.845.TIXS (8497)
Gates open one hour prior to showtime.
Meet the Performers
India Bradley is a member of New York City Ballet’s Corps de Ballet. She was born in Detroit, Michigan and began her dance training at the age of four at The Link School of the Arts in Troy, Michigan. At the age of eleven, she attended the Academy of Russian Classical Ballet in Novi, Michigan, under the direction of Sergey Rayevitskey.
Ms. Bradley attended the summer program at Dance Theatre of Harlem in 2012, and entered DTH’s Professional Training Program under the direction of Andrea Long that fall.
She attended the 2014 summer session at the School of American Ballet, NYCB’s official school, and enrolled as a full-time student later that year.
Ms. Bradley was named an apprentice in August 2017 and joined the Company as a member of the Corps de Ballet in August 2018.
Charles “Lil Buck” Riley is a world-renowned and award-winning performing artist, entrepreneur, and advocate for the arts and humanities. Lil Buck’s dance repertoire includes a multitude of styles including Memphis Jookin’, ballet, hip-hop, and modern, just to name a few.
Over the course of his career, he has performed and collaborated with some of the world’s finest artists and brands including Yo-Yo Ma, Madonna, Alicia Keys, Janelle Monáe, Lizzo, Nike, Chanel, Versace, Louis Vuitton, Apple, Jordan, Lexus, Gap, and many others.
Outside of dance, Lil Buck is a true creative and has provided a unique skill-set to top-notch projects which include being a choreographer on the Starz TV series Blindspotting, Season 1 and 2, a guest judge on So You Think You Can Dance, and roles in both the movie Emperor and the feature film Her. Lil Buck designed a capsule collection for Versace and provided artistic consultation to many brands over his lengthy career. Recently, Lil Buck’s story and creative process were captured in the documentary Lil Buck: Real Swan which premiered at the Tribeca Film Festival and in the Netflix documentary series, MOVE.
Lil Buck has always had an entrepreneurial spirit. In 2014, Lil Buck was presented with the Wall Street Journal’s Innovator of the Year award. His strong business acumen is ever present in the many projects that he is involved in outside of dance which include ventures related to food and beverage, brand management, fashion, and production.
Currently, Lil Buck is personally producing multiple major stage shows which culminate the essence of dance as a tool to change the world. One of his newest productions in development transforms Lil Buck back to his home-town roots. Entitled Memphis Jookin’: The Show, this awe inspiring production brings Lil Buck’s career full circle.
Preston Chamblee was born in Wendell, North Carolina and began his dance training at the age of 14 at the Raleigh School of Ballet under Mary Legere and Pablo Perez. He continued his training at the International Ballet Academy in Apex, North Carolina from 2010 to 2013. Mr. Chamblee studied at the School of American Ballet (SAB), the official school of New York City Ballet, during the 2012 and 2013 summer courses, and enrolled as a full-time student in 2013. Mr. Chamblee was named an apprentice with NYCB in August 2014 and joined the Company as a member of the corps de ballet in February 2015. Mr. Chamblee was promoted to the rank of soloist in January 2022.
Herman Cornejo was born in Villa Mercedes, San Luis province, Argentina, and began his ballet studies at the age of eight at Teatro Colón’s Instituto Superior de Arte, Buenos Aires. At fourteen he received a scholarship from the School of American Ballet, the dance school of New York City Ballet and on his return to Buenos Aires he joined Julio Bocca’s Ballet Argentino. In 1999 Herman joined American Ballet Theatre, New York, was promoted to Soloist in 2000 and was appointed Principal Dancer in 2003. Herman has participated in numerous galas and has performed as Principal Guest Dancer with Ballet del Teatro Argentino de La Plata, Boston Ballet, Compañía de Danza Contemporánea de Cuba, Corella Ballet Castilla y León, New York City Ballet and Sapporo Ballet.
Patricia Delgado (she/her), first generation Cuban-American, was born in Miami, Florida. She was a principal dancer with the Miami City Ballet where she worked for almost 20 years and is currently a freelance artist living in NYC and a member of the dance faculty at The Juilliard School. She began her dance training, under cuban tutelage at 5 years old. She spent summers training in NYC at the School of American Ballet and American Ballet Theatre. In 2000, she was the Princess Grace Nominee and Edward Villella invited her to join his company as an apprentice.
Patricia Delgado has performed works by George Balanchine, Jerome Robbins, Twyla Tharp, Paul Taylor, Anthony Tudor, Richard Alston, Christopher Wheeldon, Edward Villella and Trey McIntyre as well as classical works such as “Coppelia”, “Giselle” and “Don Quixote”. One of her most memorable performances was performing the role of Juliet in John Cranko’s “Romeo and Juliet”. Patricia has also been incredibly fortunate to have created feature works with choreographers Alexei Ratmansky, Justin Peck, Pam Tanowitz, Jamar Roberts, Lauren Lovette, John Heginbotham, and Jodi Melnick among others.
She has performed at The Bolshoi, in Moscow, at the Theatre du Chatelet, in Paris, France, at the Chicago Dancing Festival, at the Vail International Dance Festival in Colorado and in New York City; at Fall for Dance at City Center, at the Joyce Theater and at the Koch Theatre at Lincoln Center among others.
Patricia has written several essays for dance publications. One entitled “Why I Dance” in January of 2015 for Dance Magazine and one for Dance Spirit Magazine in April of 2013.
She performed as Maggie Anderson in the musical “Brigadoon”, directed and choreographed by Christopher Wheeldon at Encores! City Center, she starred in the music video “The Dark Side of the Gym” for The National and also appeared as a guest performer on The Tonight Show. She is a repetiteur for Justin Peck. She staged “In Creases” on Boston Ballet, Ballet Arizona, and for members of The American Ballet Theatre and “Heatscape” in Dresden, Germany at the Semperoper Ballett. She was an Associate Producer on the 2020 Broadway revival of West Side Story and she is an Associate Choreographer on the feature film West Side Story, directed by Steven Spielberg. She was named a “Mujeres Imparables” by Telemundo in February 2022. And most recently joined the Advisory Committee at the Jerome Robbins Dance Division, New York Public Library for the Performing Arts.
She is devoted to creating a nurturing and positive environment of diversity, authenticity, inclusivity, vulnerability and belonging in all that she embarks upon, especially as she ventures into producing work for artists she admires, most recently Adriana Pierce’s #QueerTheBallet.
She and her husband, Justin Peck welcomed their daughter, Lucia Isabella into this world in March, 2021.
Michelle Dorrance (Artistic Director, Choreographer, Dancer) is a New York City–based artist. Mentored by Gene Medler (North Carolina Youth Tap Ensemble), she studied under many of the last master hoofers. Career highlights include: STOMP, Derick Grant’s Imagine Tap!, Jason Samuels Smith’s Charlie’s Angels/Chasing the Bird, Ayodele Casel’s Diary of a Tap Dancer, Mable Lee’s Dancing Ladies, and playing bass for Darwin Deez. Company work includes: Savion Glover’s Ti Dii, Manhattan Tap, Barbara Duffy and Co., JazzTap Ensemble, and Rumba Tap. Solo work ranges from The Late Show with Stephen Colbert to commissions for the Martha Graham Dance Company and American Ballet Theatre. A 2018 Doris Duke Artist, 2017 Ford Foundation Art of Change Fellow, and 2015 MacArthur Fellow, Dorrance is humbled to have been acknowledged and supported by United States Artists, the Joyce Theater, New York City Center, the Alpert Awards, Jacob’s Pillow, Princess Grace Foundation, The Field, American Tap Dance Foundation, and the Bessie Awards. Dorrance holds a B.A. from New York University and is a Capezio Athlete.
She was the Festival’s Artist-In-Residence in 2017.
Philip Duclos is a member of the Corps de Ballet with The Royal Danish Ballet. He has danced roles in Nikolaj Hübbe’s Giselle and Swan Lake. He has performed in John Neumeier’s A Midsummer Night’s Dream, Balanchine’s The Nutcracker, Jerome Robbins’ Glass Pieces and The Four Seasons, and Gregory Dean’s Blixen. He has also attended the Vail Dance Festival in 2021 and 2022.
Robert Fairchild began dancing at the age of four in Salt Lake City. He began his training at the School of American Ballet at the age of 15 and shortly after rose through the ranks of the prestigious New York City Ballet. He became an apprentice with NYCB in June 2005. The following June, he joined the Company as a member of the corps de ballet. He was promoted to soloist in May 2007 and was promoted to Principal Dancer in October 2009.
Robert Fairchild made his Broadway debut last year with his breakout role as “Jerry Mulligan” in the Tony Award-winning musical AN AMERICAN IN PARIS. He was nominated for the Tony Award for Best Performance By An Actor in a Leading Role in a Musical, and won the 2015 Drama Desk and Outer Critics Circle Awards for Outstanding Actor in a Musical, the 2015 Astaire Award for Best Male Dancer, and the 2015 Theatre World Award. He was also nominated for the 2015 Drama League Award for Distinguished Performance.
He appears regularly in NYCB’s seasons at Lincoln Center. His roles range from Prince Desirè in The Sleeping Beauty to works by world renowned choreographer William Forsythe. Last Fall he participated in “Broadway at the White House” where he danced for the First Lady Michelle Obama.
TV: “Julie’s Greenroom” on Netflix, Romeo in NYCB’s “Romeo and Juliet” and Carousel Boy in NY Philharmonic’s “Carousel,” both for PBS; “Live From Lincoln Center”, “Dancing With The Stars”, “The Late Show with Stephen Colbert”, “Live with Kelly and Michael”, “CBS Sunday Morning”, “60 Minutes.” Film: NY Export: Opus Jazz.
Born in Joinville, Brazil, Jovani Furlan started dancing at the age of 11 at The Bolshoi Theater School in Brazil.
In 2010 he participated in the International Ballet Competition in Jackson, Mississippi, and was offered a full scholarship by Edward Villella to attend the Miami City Ballet School.
Furlan began his training at the MCB School in 2011 and joined Miami City Ballet in 2012. He was promoted to Soloist in 2015 and was named an MCB Principal Dancer in 2017.
At MCB, his repertory of featured roles includes works by George Balanchine, Jerome Robbins, Richard Alston, John Cranko, Peter Martins, Justin Peck, Alexei Ratmansky, Liam Scarlett, Paul Taylor, Twyla Tharp, and Christopher Wheeldon.
Furlan joined NYCB as a Soloist in August 2019 and in February 2022 he was promoted to Principal Dancer. Making him the first Brazilian ever to achieve such rank. Since joining NYCB, Jovani has continued to perform principal roles with the company as well as multiple guesting opportunities all around the world.
In 2022, Furlan was named one of Forbes 30 Under 30 and has also started his own company, “Furlan Dancewear”.
Kennard Henson was born in Baltimore, Maryland and began his ballet training at the T.W.I.G.S. after-school program at the Baltimore School of the Arts at age 11 with Samantha Ordaz, Paula LeVere, and Norma Pera.
He attended the summer course at the School of American Ballet, NYCB’s official school, in 2013 and enrolled full-time for the 2013 winter term.
In August 2016, he became an apprentice with NYCB. As an apprentice, Mr. Henson originated a corps role in Lauren Lovette’s For Clara. He joined the Company as a member of the corps de ballet in August 2017.
Photo © Erin Baiano
Among Kochetkova’s major roles are Giselle; Juliet in Tomasson’s Romeo & Juliet; Odette/Odile in Swan Lake; Kitri in Nureyev’s and Petipa Don Quixote; Aurora in Sleeping Beauty; La Sylphide; Manon in Macmillan’s Manon; Swanilda in Balanchine’s Coppélia; Tatiana in Cranko’s Onegin; Cinderella in Wheeldon’s Cinderella; Nikiya in Makarova’s (after Petipa) La Bayadère; Sylvia in Ashton’s Sylvia, Medora in Le Corsaire and Grand Pas de Deux Ballerina, Queen of the Snow, and Sugar Plum Fairy in Tomasson’s Nutcracker.
She created principal roles in Millepied’s The Chairman Dances; McGregor’s Borderlands; David Dawson’s Anima Animus, Arthur Pita’s Bjork Ballet, William Forsythe’s Pas/Parts, Yuri Possokhov’s Classical Symphony, Diving into the Lilacs, Francesca da Rimini, Swimmer and Raymonda Pas de Deux; Christopher Wheeldon’s Cinderella, Within the Golden Hour and Number Nine, Alexei Ratmansky’s From Foreign Lands; Tomasson’s Caprice, On a Theme of Paganini, and Trio; Liam Scarlett’s Hummingbird; Edwaard Liang’s Symphonic Dances and Ashley Page’s Guide to Strange Places;
Her repertory also includes Ashton’s Symphonic Variations, Voices of Spring, Monotones and Sylvia; Balanchine’s Allegro Brillante, Brahms-Schoenberg Quartet (2nd movement), Divertimento No. 15, “Emeralds,” “Rubies,” “Diamonds”, Scotch Symphony, Serenade, Symphony in C (2nd movement), and Theme and Variations; Elo’s Double Evil; Forsythe’s Artifact Suite, in the middle, somewhat elevated and Pas/Parts; Lifar’s Suite en Blanc; MacMillan’s Manon and Winter Dreams; Jerome Robbins’ Dances at a Gathering (Pink), Other Dances, The Cage and Opus 19/The Dreamer; Lander’s Etudes; McGregor’s Chroma; Justin Peck’s In the Countenance of Kings; Mark Morris’ Drink to Me Only With Thine Eyes, A Garden, and Sandpaper Ballet; Possokhov’s Bells pas de deux, Fusion and Raymonda Pas de Deux; Ratmansky’s Russian Seasons, Golden Cockerel and Shostakovich Trilogy (Piano Concerto #1); Tomasson’s Chaconne for Piano and Two Dancers, Criss-Cross, “Haffner” Symphony, and Nanna’s Lied and Wheeldon’s Ghosts.
Kochetkova was featured in a video for fashion designer Julien David’s spring/summer 2015 collection, the official music video for the Cathedrals’ “Unbound” (2014); the video “Spirit of Van Cleef & Arpels” (2014); and an ad for Visa Checkout and Gap (2014). She performed the role of Juliet in the film of Tomasson’s Romeo & Juliet as part of the inaugural season of Lincoln Center at the Movies: Great American Dance. In December 2008, she was featured as the Grand Pas de Deux Ballerina in the PBS Great Performances broadcast of Tomasson’s Nutcracker, co-produced by San Francisco Ballet and KQED Public Television San Francisco, in association with Thirteen/WNET New York.
Kochetkova was nominated for a Critics’ Circle National Dance Award (U.K.) for Best Female Dancer in 2014 and for a Benois de la Danse Award in 2013, for her performance as Tatiana in Cranko’s Onegin. In 2009, she was awarded the gold medal on NBC’s show Superstars of Dance. She won “Ballerina of the Year” award at Premio Positano 2017, a Benois de la Dance award 2018, the Isadora Duncan Dance Award for her Performance of Giselle during the 2008 Repertory Season; gold medals at the International Ballet Competitions in Korea, in Italy in 2005 and International Ballet Competition of Luxembourg in 2003; a silver medal and the jury prize at the Varna International Ballet Competition in 2002; a silver medal at the Prix de Lausanne that same year; and a bronze medal at Moscow International Competition in 2001.
Lauren Lovette personifies the intertwining of dance and choreography, moving seamlessly from one to the other. Her work has been commissioned and performed by leading dance companies and festivals, including the New York City Ballet, American Ballet Theatre, the Vail International Dance Festival, American Ballet Theatre Studio Company, the Paul Taylor Dance Company, Nevada Ballet Theatre, as well as a self-produced evening entirely of her own work in which she also danced, Why It Matters.
Born in Thousand Oaks, California, Lovette began studying ballet at the age of 11 at the Cary Ballet Conservatory in Cary, North Carolina. She enrolled at SAB as a full time student in 2006. In October 2009, Ms. Lovette became an apprentice with NYCB and joined the Company as a member of the corps de ballet in September 2010. Promoted to soloist in February 2013 and to principal dancer in June 2015, she stepped down from her position at the company in 2021 in order to embark on a career devoted to dance and choreography in more equal measure. She is now the choreographer in residence at the Paul Taylor Dance Company and performs as a guest principal dancer around the world.
Ms. Lovette received the Clive Barnes Award for dance in December 2012 and was the 2012-2013 recipient of the Janice Levin Award.
SARA MEARNS, Columbia, SC, principal dancer New York City Ballet since 2008. Originated roles with choreographers Justin Peck, Kyle Abraham, Alexei Ratmansky, Pam Tanowitz, Bobbi Jene Smith, Christopher Wheeldon, Guillaume Cote, Beth Gill, among others. Guest Performer: Paul Taylor Dance Company, The Cunningham Centennial Celebration, Jodi Melnick Dance, Bill T Jones/Lee Ming Wei, and Wang Ramirez. At NYCC, she starred in Matthew Bourne’s The Red Shoes, Encores! I Married An Angel, and Twyla Now as well as multiple Fall for Dances, and performed Dances of Isadora Duncan at Lincoln Center. At The Joyce in 2022, Sara performed a full evening with five world premier pieces, titled “A piece of Work”, awarded the Bessie Award for outstanding performer in 2018, awarded the Dance Magazine Award in 2019, and an Honorary Doctorate University of South Carolina in 2019.
Roman Mejia // Artist-In-Residence
Roman Mejia // Artist-In-Residence
Roman Mejia was born in Fort Worth, Texas and began studying ballet at age 3 with his mother and father. At age 13, he entered the Mejia Ballet Academy. Mr. Mejia attended summer courses at the School of American Ballet, New York City Ballet’s official school, in 2014 and 2015 before entering SAB full-time for the 2015 winter term. In August 2017, Mr. Mejia became an apprentice with NYCB, and he joined the Company as a member of the corps de ballet in November 2017. Mr. Mejia was promoted to the rank of soloist in October 2021. In 2019, Dance Magazine featured Mr. Mejia as one of their “25 To Watch” picks and he became a recipient of the prestigious Princess Grace Foundation – USA Dance Fellowship. In 2020, Mr. Mejia was named a Clives Barnes finalist. His repertory includes leading roles in works by George Balanchine, Jerome Robbins, William Forsythe, Justin Peck, Alexei Ratmansky, Christopher Wheeldon among many others. Most recently, he starred in Twyla Tharp’s TWYLA NOWand Tiler Peck’s Artists at the Center at New York City Center. Mr. Mejia will be Vail Dance Festival’s 2022 Artists in Residence.
Miriam Miller was born in Iowa City, Iowa, and began her dance training in 2001 at the University of Iowa Youth Ballet and School of Dance. In 2006, she began studying at City Ballet of Iowa. She attended summer courses at SAB in 2011 and 2012, enrolling as a full-time student during the 2012 winter term. Miller became an apprentice with NYCB in January 2015 and joined the Company as a member of the corps de ballet in January 2016. In January 2022, Miller was promoted to Soloist with NYCB. Since joining the Company, Miller has performed featured roles in works by George Balanchine, Peter Martins, Justin Peck and Jerome Robbins, and she has also originated roles in works by Peck, Christopher Wheeldon, Lauren Lovette, and Pam Tanowitz. Miller is a recipient of the 2017 Princess Grace Award.
Mira Nadon was born in Boston, Massachusetts, and began her ballet training at the age of six at the Inland Pacific Ballet Academy in Montclair, California.
She attended summer courses at the School of American Ballet (SAB), the official school of NYCB, in 2014 and 2015, before entering SAB full-time for the 2015 winter term.
In November 2017, Ms. Nadon became an apprentice with NYCB. She joined the Company as a member of the corps de ballet in November 2018. Ms. Nadon was promoted to the rank of soloist in January 2022 and principal in February 2023.
Ms. Nadon has danced as a guest at the Vail Dance Festival and Nantucket Atheneum Dance Festival and has performed as a member of Ballet Collective. She is also a part-time student at Fordham University. She is the recipient of the 2021 Clive Barnes Award for dance and is a 2022 Princess Grace Award winner.
Dario Natarelli is a performer, choreographer, and dance educator specializing in tap dance based in NYC. He is honored to be a part of the Vail Dance family since 2016. Some of his credits include: The Tap Dance Kid (New York City Center Encores!), Tappin’ Thru Life (Off-Broadway), assistant choreographer to Michelle Dorrance (Vail Dance Festival), Dance Captain for Justin Peck (Broadway labs), a 2023 Netflix film with Bradley Cooper and Justin Peck, Newsies (Gateway Original Broadway Choreography), The Kennedy Center (soloist/choreographer), Radio City Christmas Spectacular (National Tour), national commercials, and more. He recently directed and choreographed his first tap dance short film: Lonely World. He is grateful to all friends, family, and mentors for their unconditional support. Respect the dance; go in rhythm. IG @dario_natarelli.
Tiler Peck has been a Principal Dancer with New York City Ballet since 2009. She made her Broadway debut at age 11 as Gracie Shinn in The Music Man and was seen on Broadway as Ivy Smith in the Tony Nominated On The Town. She originated the title role in Susan Stroman’s newest musical Little Dancer at the Kennedy Center and is attached to star in the Broadway production. Tiler made her choreographic debut at the Vail Dance Festival in 2018 and has gone on to choreograph and appear in episodes of Tiny Pretty Things and Ray Donovan, for the Boston Ballet and the box office smash hit film John Wick 3. She has also appeared on Dancing with the Stars, the Kennedy Center Honors and Live From Lincoln Center’s The Nutcracker and Carousel, Disney+’s The Hip Hop Nutcracker, and Josh Groban’s Great Big Radio City Show PBS special. As a guest star, she was the first ballerina ever to appear on The Ellen DeGeneres Show. In film she has starred in “Ballet Now”, a Hulu documentary that followed her as she became the first woman to curate and star in The Los Angeles Music Center’s presentation ofBalletNOW, “Ballet 422”, “A Time for Dancing”, and “Donnie Darko”. She is a recipient of the Princess Grace Statue Award, The Dance Magazine Award and was named one of Forbes 30 under 30. Most recently, she curated and directed the highly anticipated inaugural Artists at the Center for New York City Center that will make its European debut this summer as Turn It Out With Tiler Peck & Friends. This program marked her NYC choreographic debut and featured premieres from William Forsythe, Alonzo King, Jillian Meyers and Michelle Dorrance.
To keep the dance world connected during the pandemic, Tiler developed a free ballet class #TurnItOutWithTiler that airs on her Instagram. She is the designer of the Love,Tiler collection for Só Dança and the capsule collection Tiler Peck X STATESIDE in collaboration with the popular Los Angeles-based clothing company. She has released two children’s books with Simon & Schuster: Katarina Ballerina and Katarina Ballerina & The Victory Dance.
More on Tiler at www.tilerpeck.com. Tiler can be found on Instagram & TikTok via @TilerPeck.
Caili Quan is a New York-based choreographer who danced with BalletX from 2013 to 2020. She has created works for BalletX, The Juilliard School, Vail Dance Festival, American Repertory Ballet, Flight Path Dance Project, Stars of American Ballet, Asbury Park Dance Festival, Oakland Ballet, Columbia Ballet Collaborative, and Ballet Academy East. She served as an Artistic Partnership Initiative Fellow and a Toulmin Creator at The Center for Ballet and the Arts at NYU. With BalletX she performed new works by Matthew Neenan, Nicolo Fonte, Gabrielle Lamb, Penny Saunders, Trey McIntyre, and danced at Jacob’s Pillow Dance Festival, Belgrade Dance Festival, and DEMO by Damian Woetzel at the Kennedy Center. Mahålang, a short documentary that wove familial conversations of her Chamorro Filipino upbringing on Guam with scenes from BalletX’s Love Letter, was shown at the Hawai’i International Film Festival, CAAMFest, and the Dance on Camera Festival at Lincoln Center. She also participated in New York Choreographic Institute’s 2022 Fall Session under the direction of Adrian Danchig-Waring. Caili is a Creative Associate at The Juilliard School.
Calvin Royal III
Calvin Royal III
Calvin Royal III is an acclaimed internationally recognized Principal classical ballet dancer. He began his ballet training at fourteen and a half, and received a scholarship from ABT’s Jacqueline Kennedy Onassis School of ballet in 2007. Despite his unprecedented late start, he was promoted to the American Ballet Theatre’s Main Company in 2010, achieved Soloist in 2017, and Principal Dancer in 2020. This makes him the third African-American to achieve this honor in the 82-year history of the iconic Company, following Desmond Richardson appointed 25 years ago and Misty Copeland in 2015.
Calvin has performed star turns throughout ABT’s global tours, and at the Lincoln Center for the Performing Arts in New York City – as the title role in George Balanchine’s Apollo, Prince Siegfried in Swan Lake, Romeo in Romeo and Juliet, The Prince in Alexei Ratmansky’s The Nutcracker, and has worked with notable choreographers such as Twyla Tharp, Justin Peck, Benjamin Millepied, Alonzo King, Mark Morris, Wayne McGreggor, Kyle Abraham, Michelle Dorrance, Jamar Roberts, and many more.
Calvin was a finalist at the Clive Barnes Awards, the winner of the Leonore Annenberg Fellowship, a cover star of Dance Magazine in July 2020, and was the 2020/21 Artist in Residence at the Vail Dance Festival in Vail, Colorado. He is represented by IMG Models and has been featured in global campaigns for GAP, Tommy Hilfiger, Calvin Klein, Target, Ralph Lauren, Mavi Jeans, Canali, and has partnered with Deckers Brands, HOKA and The Luxury Collection hotels. Follow Calvin on Instagram & TikTok @calvinroyaliii
Born on Long Island, New York, Cory Stearns began his classical training at the age of five with Mme. Valia Seiskaya at the Seiskaya Ballet. At age fifteen, he participated in the Youth America Grand Prix and was offered a full scholarship to The Royal Ballet School in London. Stearns performed in Madrid, Moscow, Milan, Düsseldorf and London while at The Royal, and appeared with Kylie Minogue in her music video Chocolate in 2004. Upon graduating from The Royal Ballet School with honors, he received, for the second year, the Dame Ruth Railton Award for excellence in dance.
Stearns joined the American Ballet Theatre Studio Company in September 2004, the main Company as an apprentice in January 2005 and became a member of the corps de ballet in January 2006. He was appointed a Soloist in January 2009 and a Principal Dancer in January 2011.
Stearns repertory with the Company includes The Man in AfterEffect, Solor in La Bayadère, The Ballet Dancer in The Bright Stream, a featured role in Brief Fling, Her Prince Charming in Cinderella, Conrad in Le Corsaire, Daphnis in Daphnis and Chloe, Basilio and Espada in Don Quixote, Oberon in The Dream, a leading role in Études, Second Sailor in Fancy Free, Colas in Las Fille mal gardée, Kaschei in Firebird. Baron in Gaîté Parisienne, Albrecht in Giselle, Astrologer in The Golden Cockerel, Grand Pas Classique, Her Lover in Jardin aux Lilas, Armand Duval in Lady of the Camellias, The Leaves Are Fading pas de deux, Des Grieux in Manon, Beliaev in A Month in the Country, His Friend in The Moor’s Pavane, the Nutcracker-Prince in Alexei Ratmansky’s The Nutcracker, Onegin in Onegin, Iago and a Carnival Dancer in Othello, Other Dances, Man From the House Opposite in Pillar of Fire, Romeo and Paris in Romeo and Juliet, the Terrestrial in Shadowplay, Prince Désiré in Ratmansky’s The Sleeping Beauty, Prince Désiré, the Celtic Prince and a Fairy Knight in The Sleeping Beauty, Prince Siegfried and von Rothbart in Swan Lake, Act III, Juliet, James in La Sylphide, the Poet in Les Sylphides, Orion and Apollo in Sylvia, Prospero in The Tempest, Prince Coffee in Whipped Cream, The Awakening Pas de Deux, leading roles in Allegro Brillante, Duo Concertant, Études, Mozartiana Monotones II, Raymonda Divertissements and With a Chance of Ran and roles in The Brahms-Haydn Variations, Citizen, Drink to Me Only With Thine Eyes, Duets, Everything Doesn’t Happen at Once, In the Upper Room, The Leaves Are Fading, Overgrown Path, Mozartiana, Rabbit and Rogue, Raymonda Divertissements, Symphony in C and Thirteen Diversions.
Stearns created roles in AFTERITE, From Here On Out, Her Notes, One of Three, Piano Concerto #1, Private Light and I Feel The Earth Move.
Stearns won the 2009 Erik Bruhn Prize for best male dancer.
Devon Teuscher began her ballet training at the age of nine under Deanna Doty of the Champaign Urbana Ballet Academy in Champaign, IL. When her family moved to Vermont, she continued her training at the Vermont Ballet Theatre School in Essex, Vermont under the direction of Alex and Kirsten Nagiba. At the age of eleven, Teuscher attended The Kirov Ballet Academy summer intensive. She also attended the Pacific Northwest Ballet summer intensive on full scholarship for two years.
From 2002 to 2006 Teuscher attended American Ballet Theatre’s Summer Intensive, and was a National Training Scholar from 2003 to 2006. In January 2005 at the age of 15, Teuscher relocated to New York City to dance at American Ballet Theatre’s Jacqueline Kennedy Onassis School on full scholarship.
Teuscher joined ABT Studio Company in 2006. She joined American Ballet Theatre as an apprentice in December 2007 and the corps de ballet in June 2008. She became a Soloist in August 2014 and Principal Dancer in September 2017.
Teuscher was nominated for the Clive Barnes Award in 2014 and received the Leonore Annenberg Arts Fellowship in 2016.
Melissa Toogood is a Sydney and New York based Dancer, Teacher, Stager, Coach and sometimes Choreographer. She is a New York Dance and Performance Award (Bessie) winning Performer. She is Rehearsal Director, Dancer and Artistic Associate of Pam Tanowitz Dance. She was a member of the Merce Cunningham Dance Company, is a 2013 & 2015 Merce Cunningham Fellow, has taught Cunningham Technique internationally since 2007 and is a licensed Stager of Merce Cunningham’s work. She has performed with Kyle Abraham/Abraham.In.Motion, Kimberly Bartosik/Daela, Rashaun Mitchell + Silas Reiner, the Stephen Petronio Company, Sally Silvers & Dancers, The Bang Group:Tap Lab, Christopher Williams and many others. Her own work has been commissioned by the Boston Ballet and New York Theater Ballet. Dance Initiative brought her to the Launchpad in Carbondale, CO in 2022 to further her choreographic exploration and she received a residency in Sydney, Australia this year as part of Constant Relay. This is Melissa’s 9th season at the Vail Dance Festival.