2025 Festival Artists

Melissa Toogood has appeared on the Vail stage since 2015. She is a New York Dance and Performance Award (Bessie) winning, internationally recognized dancer and master teacher celebrated for her work most notably with the Merce Cunningham Dance Company, where she was one of the last dancers to work directly with Cunningham himself. A 2013 and 2015 Merce Cunningham Fellow and official stager for the Merce Cunningham Trust, Melissa has taught his technique worldwide since 2007 and continues to stage his work for renowned companies including the Stephen Petronio Company and the Washington Ballet. As a longtime dancer with choreographer Pam Tanowitz, she has served as Rehearsal Director and Artistic Associate for Tanowitz's company, assisting on new works for major institutions such as The Australian Ballet, Martha Graham Dance Company, and The Royal Ballet. Melissa’s freelance career spans performances with leading artists including Tanowitz, Kyle Abraham, Kimberly Bartosik, Rosie Herrera Dance Theater, Sally Silvers, and the Petronio Company, alongside her own choreographic commissions for Boston Ballet, New York Theater Ballet, and the Vail Dance Festival. She teaches Cunningham Technique at Sydney Dance Company and continues to mentor the next generation of dancers. A prominent voice in the dance community, Melissa has lectured, written for publications like Dance Magazine, and appeared in several films and exhibitions, including the acclaimed Cunningham 3D film.

Olivia Bell is a corps de ballet member with New York City Ballet. Born in Fort Worth, Texas, she trained locally before being accepted to the School of American Ballet in 2018. While a student, Olivia originated a featured role in Gianna Reisen’s Signs. In 2022 Olivia became an apprentice with New York City Ballet and was then promoted to corps de ballet in 2023. As a corps member Olivia has performed featured roles in Kyle Abraham’s Love Letter on Shuffle, George Balanchine’s Swan Lake, Tiler Peck’s Concerto for Two Pianos, and Jerome Robbins Interplay.

Naomi Corti is a dancer with New York City Ballet. Corti became an apprentice with NYCB in August 2018. As an apprentice with New York City Ballet, Ms. Corti performed a featured role in William Forsythe’s Herman Schmerman and originated a corps role in Gianna Reisen’s Judah. Corti joined the Company as a member of the corps de ballet in August 2019.

Since becoming a corps member, she has danced featured roles in works by George Balanchine, Jerome Robbins, William Forsythe, Justin Peck, Pam Tanowitz, Kyle Abraham and Amy Hall Garner. Originating featured roles in works created by Peck, Tanowitz, Abraham, and Garner. While a student at SAB, she was awarded the wein award. 

Ms. Corti was the 2024 Janice Levin Award honoree and was a recipient of the Mae L. Wien Award for Outstanding Promise in 2018.

Denys Drozdyuk was born in Chernivtsi, Ukraine where he started dancing at the age of 4. From then on, he has been continuously trained in ballroom dance. He holds a Bachelor of Fine Arts Degree in Dance from The Juilliard School and a Master of Arts Degree in Dance Education from New York University.

Together with Antonina Skobina, Denys co-founded a ballroom dance performance duet, “DNA.” He is also the co-founder of DNA Dance Academy, Manhattan’s first ballroom dance school dedicated specifically to children.

Denys participated on NBC’s TV show World of Dance for two seasons and was a finalist on the Canadian TV show Revolution. He is also a winner of So You Think You Can Dance Canada television show.

Some of his ballroom dance achievements include: 3-Time World Ballroom Champion, 3-Time USA National Ballroom Dance Champion, 7-Time German National Ballroom Dance Champion, 3-Time Canadian National Ballroom Dance Champion, and Blackpool Dance Festival Winner.

Denys performs frequently as a Guest Artist with the Stars of American Ballet, and in various international ballet galas, festivals, and productions worldwide.

Denys is the recipient of the NYSCA/NYFA Artist Fellowship in Choreography, CUNY Dance Initiative Residency, Green Box Arts Residency, and was featured in Vogue (USA and International editions). He also teaches workshops and master classes throughout the world.

Philip Duclos is a soloist with The Royal Danish Ballet. He joined the company as a member of the corps de ballet in 2022, and was promoted to soloist in 2025. He has danced roles such as Prince Desiré in Christopher Wheeldon’s Sleeping Beauty, one of the principal men in Harald Lander’s Études, and Melancholic in George Balanchine’s The Four Temperaments. He has also danced featured roles in Wayne McGregor’s Dante Project, Balanchine’s Scotch Symphony, Jerome Robbins’ The Four Seasons, Gregory Dean’s Cinderella and Gotta Dance, John Neumeier’s A Midsummer Night’s Dream, and Nikolaj Hübbe’s Raymonda and Don Quixote. He was also awarded the Ballettens Venner Talent Prize in the spring of 2025.

Rachel Lockhart (she/her) is a Birmingham, Alabama native who began her dance training at the J. Lockhart Performing Arts Institute under the guidance of her mother. She is an alumna of The Alabama School of Fine Arts and a recent graduate of The Juilliard School in New York, where she earned her BFA in Dance.

Rachel's versatility as a dancer has led her to notable appearances on both stage and screen. She premiered on So You Think You Can Dance Season 17 and appeared in CBS's series East New York. Following her graduation from Juilliard, Rachel performed in the MET Opera's production of The Life and Times of Malcolm X and appeared at the 2023 MTV Video Music Awards alongside singer Doja Cat. She went on to make her Broadway debut in the Sufjan Stevens musical Illinoise, directed and choreographed by Justin Peck. Rachel also showcased her talents on The Late Show with Stephen Colbert and was nominated for a Chita Rivera Award for ‘Outstanding Dancer In A Broadway Show’ . Most recently, Rachel was selected for Dance Magazine’s 2025 “Top 25 to Watch” list and chosen for the cover. Currently, Rachel is on the MJ the Musical National Tour, choreographed by Christopher Wheeldon.

Grateful for the continuous support she receives, Rachel is committed to inspiring others to pursue their dreams with passion and perseverance, believing that anything is possible with dedication and faith.

Mira Nadon was born in Boston, Massachusetts, and began her ballet training at the age of six at the Inland Pacific Ballet Academy in Montclair, California.

She attended summer courses at the School of American Ballet (SAB), the official school of NYCB, in 2014 and 2015, before entering SAB full-time for the 2015 winter term.

In November 2017, Ms. Nadon became an apprentice with NYCB. She joined the Company as a member of the corps de ballet in November 2018. Ms. Nadon was promoted to the rank of soloist in January 2022 and principal in February 2023.

Ms. Nadon has danced as a guest at the Vail Dance Festival and Nantucket Atheneum Dance Festival and has performed as a member of Ballet Collective. She is also a part-time student at Fordham University. She is the recipient of the 2021 Clive Barnes Award for dance and is a 2022 Princess Grace Award winner.

Unity Phelan was born in Princeton, New Jersey where she studied at the Princeton Ballet School. After attending summer courses at the School of American Ballet, Phelan was invited to attend the school full time and remained at the school for three years. Phelan was invited to join the New York City Ballet in the winter of 2012 as an apprentice and joined the company as a Corps de Ballet member in 2013. In the Winter of 2017, Phelan was promoted to Soloist dancer and in the Fall of 2021, she was promoted to Principal dancer. In her time at New York City Ballet, Phelan has danced numerous ballets by George Balanchine, Jerome Robbins, Alexei Ratmansky, Justin Peck, Christopher Wheeldon and other choreographers. Phelan has been featured in Dance Magazine, Elle Magazine, and People Style Magazine. In the last couple years, Phelan has been found on the silver screen acting in “John Wick 3: Parabellum” and “I’m Thinking of Ending Things”. In 2019, Phelan was awarded the Lincoln Center Emerging Artist Award for her work at New York City Ballet.

Antonina Skobina was born in Mariupol, Ukraine. She is a 3-Time US National Ballroom Dance Champion and a Vice-World Champion. She is also a Blackpool Dance Festival Winner, which is the most prestigious ballroom dance competition in the world.

Together with Denys Drozdyuk, Antonina co-founded a collaborative ballroom dance performance duet, “DNA.” She is also the co-founder of DNA Dance Academy, Manhattan’s first ballroom dance school dedicated specifically to children.

Antonina participated on NBC’s hit television show World of Dance for two seasons and was a finalist on the Canadian TV show Revolution. She performs frequently as a Guest Artist with the Stars of American Ballet and at various international ballet galas, festivals, and productions worldwide.

Antonina is the recipient of the NYSCA/NYFA Artist Fellowship in Choreography, CUNY Dance Initiative Residency, Green Box Arts Residency and was featured in Vogue (USA and International editions). In addition to dancing, she has a great passion for acting and is a graduate of the New York Film Academy. She also teaches workshops and master classes throughout the world.

Melissa Toogood has appeared on the Vail stage since 2015. She is a New York Dance and Performance Award (Bessie) winning, internationally recognized dancer and master teacher celebrated for her work most notably with the Merce Cunningham Dance Company, where she was one of the last dancers to work directly with Cunningham himself. A 2013 and 2015 Merce Cunningham Fellow and official stager for the Merce Cunningham Trust, Melissa has taught his technique worldwide since 2007 and continues to stage his work for renowned companies including the Stephen Petronio Company and the Washington Ballet. As a longtime dancer with choreographer Pam Tanowitz, she has served as Rehearsal Director and Artistic Associate for Tanowitz's company, assisting on new works for major institutions such as The Australian Ballet, Martha Graham Dance Company, and The Royal Ballet. Melissa’s freelance career spans performances with leading artists including Tanowitz, Kyle Abraham, Kimberly Bartosik, Rosie Herrera Dance Theater, Sally Silvers, and the Petronio Company, alongside her own choreographic commissions for Boston Ballet, New York Theater Ballet, and the Vail Dance Festival. She teaches Cunningham Technique at Sydney Dance Company and continues to mentor the next generation of dancers. A prominent voice in the dance community, Melissa has lectured, written for publications like Dance Magazine, and appeared in several films and exhibitions, including the acclaimed Cunningham 3D film.

Adji Cissoko was born and grew up in Munich, Germany, where she trained at the Ballet Academy Munich and graduated with a diploma in dance. Cissoko attended the Jacqueline Kennedy Onassis School at American Ballet Theatre in New York City on full scholarship before joining the National Ballet of Canada in 2010. In 2012, she was awarded the Patron Award of Merit by the Patrons’ Council Committee of The National Ballet of Canada. Cissoko joined LINES Ballet in 2014. Since then, she’s originated many central roles and guested for galas worldwide. Cissoko has given multiple master classes and taught classes around the world as part of the company’s outreach program. In 2020, she became certified in health/life coaching and ABT’s National Training Curriculum. Cissoko choreographed her first piece, “AZIZ,” for Ballet X in 2021. She is also a 2022 recipient of the Toulmin Fellowship and was the Artist-in-Residence for Vail Dance Festival in 2023. 

Rachel Lockhart (she/her) is a Birmingham, Alabama native who began her dance training at the J. Lockhart Performing Arts Institute under the guidance of her mother. She is an alumna of The Alabama School of Fine Arts and a recent graduate of The Juilliard School in New York, where she earned her BFA in Dance.

Rachel's versatility as a dancer has led her to notable appearances on both stage and screen. She premiered on So You Think You Can Dance Season 17 and appeared in CBS's series East New York. Following her graduation from Juilliard, Rachel performed in the MET Opera's production of The Life and Times of Malcolm X and appeared at the 2023 MTV Video Music Awards alongside singer Doja Cat. She went on to make her Broadway debut in the Sufjan Stevens musical Illinoise, directed and choreographed by Justin Peck. Rachel also showcased her talents on The Late Show with Stephen Colbert and was nominated for a Chita Rivera Award for ‘Outstanding Dancer In A Broadway Show’ . Most recently, Rachel was selected for Dance Magazine’s 2025 “Top 25 to Watch” list and chosen for the cover. Currently, Rachel is on the MJ the Musical National Tour, choreographed by Christopher Wheeldon.

Grateful for the continuous support she receives, Rachel is committed to inspiring others to pursue their dreams with passion and perseverance, believing that anything is possible with dedication and faith.

Gianna Reisen is a choreographer and movement director based in New York City. Her journey began at the School of American Ballet, where she trained for seven years. After graduating in 2017, Reisen joined the SemperOper Ballet in Dresden, Germany. That same year, she was commissioned to choreograph an original work for the New York City Ballet’s Fall Fashion Gala, naming her the youngest choreographer in history to offer a ballet to NYCB’s storied repertoire. Following her choreographic debut, Gianna would go on to present three additional works for the company, collaborating with world-renowned artists such as Solange Knowles, Virgil Abloh, Alberta Ferretti and Alejandro Gómez Palomo. During this time, Reisen continued her professional dance career with the Los Angeles Dance Project, where she traveled the globe to perform works by Benjamin Millepied, Martha Graham, Bella Lewitzky, and Kyle Abraham, among others. In 2021, Gianna ventured into film, directing and choreographing two short films for the School of American Ballet. She has since worked as a movement director for various music videos and fashion campaigns. Reisen has created work for companies across the country, including the Carolina Ballet, where she premiered her very first full-length narrative ballet, Alice, this year.

My’Kal Stromile’s extensive training includes instruction from Kim Abel in Dallas/New York, Ceyhun Ozsoy and Dereque Whiturs in Dallas, and Anna-Marie Holmes in Boston. He attended The Juilliard School from 2014–2018 and received his BFA in Dance Performance. Stromile has danced with Bruce Wood Dance, Disney Productions, and Repertory Dance Company I. His repertoire includes William Forsythe’s Blake Works III, Aszure Barton’s Return to Patience, Crystal Pite’s Grace Engine, Dwight Rhoden’s Rise, Jerome Robbins’ MOVES, and George Balanchine’s Chaccone. In 2014, Stromile was named a U.S. Presidential Scholar in the Arts, awarded by President Barack Obama. That same year, at the invitation of TITAS Presents and choreographer Bruce Wood, Stromile participated in the 2014 Command Performance Ballet Gala, where principal dancers from all over the world performed new and existing repertoire. During his time at Juilliard, he received Choreographic Honors three years in a row and was awarded the school’s Hector Zaraspe Prize in Choreography in 2018. That same year, he joined Boston Ballet II and in 2019, joined Boston Ballet as an artist, where he became a Princess Grace Award Nominee and danced until December 2024. In 2023, My’Kal created a world premiere, Form and Gesture, for Boston Ballet and in October 2024, was commissioned to choreograph, Word for Word, for the prestigious, Paris Opera Ballet, collaborating with fashion house, CHANEL. Stromile participated in the New York Choreographic Institute at the New York City Ballet in November 2024 and will create a world premiere for Boston Ballet in 2026.

Melissa Toogood has appeared on the Vail stage since 2015. She is a New York Dance and Performance Award (Bessie) winning, internationally recognized dancer and master teacher celebrated for her work most notably with the Merce Cunningham Dance Company, where she was one of the last dancers to work directly with Cunningham himself. A 2013 and 2015 Merce Cunningham Fellow and official stager for the Merce Cunningham Trust, Melissa has taught his technique worldwide since 2007 and continues to stage his work for renowned companies including the Stephen Petronio Company and the Washington Ballet. As a longtime dancer with choreographer Pam Tanowitz, she has served as Rehearsal Director and Artistic Associate for Tanowitz's company, assisting on new works for major institutions such as The Australian Ballet, Martha Graham Dance Company, and The Royal Ballet. Melissa’s freelance career spans performances with leading artists including Tanowitz, Kyle Abraham, Kimberly Bartosik, Rosie Herrera Dance Theater, Sally Silvers, and the Petronio Company, alongside her own choreographic commissions for Boston Ballet, New York Theater Ballet, and the Vail Dance Festival. She teaches Cunningham Technique at Sydney Dance Company and continues to mentor the next generation of dancers. A prominent voice in the dance community, Melissa has lectured, written for publications like Dance Magazine, and appeared in several films and exhibitions, including the acclaimed Cunningham 3D film.

“A string quartet of boundless imagination.”—NPR

Celebrating twenty years of shared musical exploration, Brooklyn Rider originated in a living room, four friends in search of an outlet for their curiosities. Inspired by the probing spirit of Germany’s pre-WW1 artistic collective Der Blaue Reiter, they recognized parallels with their creative community in Brooklyn at the time and began to build projects. In the following two decades, Brooklyn Rider has undertaken a staggering amount of work, carving a singular space in the world of string quartets. Through thoughtful programmatic framing, deep-rooted collaborations, and innovative commissioning projects, Brooklyn Rider has used the medium at every point in their adventurous journey as a vehicle for exploration and discovery. Inspired equally by the rich repertoire of the past and the limitless canvas of new creation, Brooklyn Rider seeks to create meaningful and memorable experiences for their audiences.

To mark the twenty year milestone, a wide range of projects are on the horizon for 2025 and beyond that celebrate the key elements of their work. Honoring a long-standing relationship with the string quartets of Philip Glass (String Quartet # 3, Mishima was on Brooklyn Rider’s first public program), Brooklyn Rider has embarked on the first ever retrospective of the composer’s complete works for the medium. Initially presented by the Yale Schwarzman Center this past fall, the retrospective is next happening in May 2025 at the Met Cloisters in NYC before heading further afield. A major commission by Gabriela Lena Frank, Frida’s Dreams is due for the 2025-26 season. A forthcoming recording, The Four Elements (slated for May 2025) servesas a dual metaphor for the complex inner world of the string quartet and the future of planet Earth, the latest example of the kind of programmatic concept long associated with Brooklyn Rider. The quartet expands their reach into the orchestral world in future seasons with a new work for quartet and orchestra by Nico Muhly, to be presented by a wide ranging consortium of orchestras across Europe and North America. Lastly, a special concert at Tanglewood this August will feature the Schubert Cello Quintet as the centerpiece alongside the quartet’s friend and mentor Yo-Yo Ma.

The beginning days of Brooklyn Rider’s history included numerous self-produced concerts events, and the quartet has since cherished the live performance experience in its many guises. In more recent years, the quartet has made regular appearances in many of the major musical centers of North America, Europe, Asia, and Australia - from Zurich’s Tonhalle, Carnegie Hall, the Pierre Boulez Saal in Berlin, the Sydney Opera House, the National Centre for Performing Arts in Beijing, and London’s Wigmore Hall. Comfortable in a wide range of performance outlets, they have also appeared on the main stage of the Telluride Bluegrass Festival, at Austin’s South By Southwest Music Festival, and in two NPR Tiny Desk Concerts. Brooklyn Rider has been the long-standing resident string quartet of the Vail Dance Festival, collaborating with many of the finest dancers and choreographers of our time. They have also been privileged to use the balming powers of music at deeply challenging moments along the way. The quartet made a special appearance at a Buddhist Temple in the decimated fishing village of Kesennuma, Japan in the months following the devastating 2011 tsunami. Most recently, Brooklyn Rider played an all Glass concert at the Wallis Annenberg Center in Beverly Hills in the midst of the 2025 Los Angeles area fires.

Brooklyn Rider has remained steadfast in their commitment to generate new music for string quartet at every phase of their history. Through commissioning, collaborative exploration, and the inimitable works of BR’s own Colin Jacobsen, the quartet has left a lasting contribution tothe repertoire. Shared at the height of the US lockdown, the Grammy®- nominated recording and commissioning project Healing Modes (In A Circle Records) was described by The New Yorker as a project which "...could not possibly be more relevant or necessary than it is currently." The upcoming season will unveil a new program called Citizenship Notes with commissioned works by Don Byron, Ted Hearne, and Angélica Negrón.

Brooklyn Rider has had a voracious appetite for collaboration since their inception, encapsulating their wide-ranging projects and programmatic frames and giving rise to NPR Music’s observation that Brooklyn Rider is “recreating the 300-year-old form of string quartet as a vital and creative 21st-century ensemble.” The Butterfly (In A Circle Records), an album which the Irish Times described as "a masterclass in risk-taking,” explored a collaboration with the legendary Irish fiddler Martin Hayes. The 2021-22 season boasted two unique partnerships: one with Israeli mandolin virtuoso Avi Avital, and the other a new chapter of work with Swedish mezzo-soprano Anne Sofie von Otter (following So Many Things on Naïve Records, 2016). 2022’s The Stranger (Avie Records) with tenor Nicholas Phan was nominated for a 2023 Grammy® award and made numerous best-of lists, including The New Yorker. In fall 2018, Brooklyn Rider released Dreamers on Sony Music Masterworks with Mexican jazz vocalist Magos Herrera which topped charts and garnered a Grammy® nomination for best arrangement (Gonzalo Grau’s “Niña”). Other collaborators include former NYC Ballet prima ballerina Wendy Whelan, banjo icon Béla Fleck, jazz saxophonist Joshua Redman, Syrian clarinetist Kinan Azmeh, and the Iranian kemancheh virtuoso Kayhan Kalhor.

Rhiannon Giddens has made a singular, iconic career out of stretching her brand of folk music, with its miles-deep historical roots and contemporary sensibilities, into just about every field imaginable. A two-time GRAMMY Award-winning singer and multi-instrumentalist, MacArthur “Genius” grant recipient, Pulitzer Prize winner, and composer of opera, ballet, and film, Giddens has centered her work around the mission of lifting up people whose contributions to American musical history have previously been overlooked or erased, and advocating for a more accurate understanding of the country’s musical origins through art.

Giddens has released three albums under her own name and two in collaboration with Italian multi-instrumentalist Francesco Turrisi, all on Nonesuch Records. American Railroad, her first album in collaboration with the Silkroad Ensemble, was released in November 2024, and her most recent album, a collaboration with Justin Robinson, What Did the Blackbird Say to the Crow, released this past April.

A founding member of the landmark Black string band Carolina Chocolate Drops, and the all-female banjo supergroup, Our Native Daughters, Giddens is as much a curator as a creator. She is the current Artistic Director of the Yo-Yo Ma-founded Silkroad Ensemble, hosts a TV show on PBS, My Music with Rhiannon Giddens, and has hosted two podcasts (Aria Code from New York City’s NPR affiliate station WQXR, which ran for three seasons, and American Railroad from Silkroad). Giddens has published two children's books and written and performed music for the soundtrack of Red Dead Redemption II, one of the best-selling video games of all time. She appeared as a recurring cast member on ABC's hit drama Nashville and as a music history expert on Ken Burns’ Country Music series on PBS.

This year, she launched her own music festival in Durham, NC called Biscuits & Banjos, to celebrate Black culture outside the mainstream. As Pitchfork once said, “few artists are so fearless and so ravenous in their exploration” —a journey that has led to NPR naming her one of its 25 Most Influential Women Musicians of the 21st Century and to American Songwriter calling her “one of the most important musical minds currently walking the planet.”

Cameron Grant is recently retired after 37 years with the  New York City Ballet. As a solo pianist, he performed a vast repertoire for solo piano including the Bach Goldberg Variations, Pictures at an Exhibition, Dances at a Gathering, Polyphonia, In the Night, and numerous other solo premieres.  The concerti he has performed include works by Beethoven, Tchaikovsky, Hindemith, Dohnanyi, Prokofiev, Bartok, MacMillan, Ravel and Gershwin.  He  toured with the company across the globe in theaters in St Petersburg, Athens, Edinburgh, Paris, London, Parma, Taipei, Tokyo and Seoul and has appeared in festivals in New Hampshire, Vail and Nantucket. A renowned collaborative pianist, Cameron has worked and/or recorded with Joel Krosnick, Ronald Thomas, Hiroko Yakima, The Leonardo Trio with Erica Kiesewetter and Jonathan Spitz, and Zina Schiff, among others. Zina and Cameron have collaborated for 30 years and recorded 8 CDs together. He spent five years touring with James Winn as half of the Grant-Winn piano duo, a duo that took top honors at the Munich Competition. Cameron was also a member of the New York New Music Ensemble. In 2004, he won an Emmy Award as a soloist in the Live From Lincoln Center broadcast, “Balanchine at 100,” and was invited to perform at the Kennedy Center Honors with three other members of the New York City Ballet for President Bush.

New York based Joel Wenhardt is a jazz pianist, and collaborator. While completing his studies at Juilliard (BM ‘18, MM ‘23) he has become a regular presence on the Jazz scene, as well an active participant in multi-medium productions. He has played or recorded with Paul Simon, Wynton Marsalis, Veronica Swift, Caroline Shaw, Claire Chase, and Brooklyn Rider as well as dancers from Juilliard, NYC Ballet, ABT, Alvin Ailey and more. Currently, he is Musical Directing at the McKittrick Hotel, where he can be found in the Manderley Bar leading The Nightingales. This will be Joel’s 4th time in Vail for the dance festival, and is grateful to call this community his artistic family.

The Canadian-born pianist Tony Siqi Yun, Gold Medalist at the inaugural China International Music Competition (2019) and recipient of the Rheingau Music Festival’s 2023 Lotto-Förderpreis, is rapidly establishing himself as a sought-after soloist and recitalist. Praised as a “poet of the keyboard” (Pianist Magazine), his performances have drawn acclaim for their thrilling artistry and “interpretive flashes that point to an emergent big personality: moments of grandness or deep expressivity” (The Philadelphia Inquirer).

Upcoming recital highlights include debut performances at Het Concertgebouw Amsterdam, Wigmore Hall London, Koerner Hall Toronto, the Ravinia Festival, and Davies Symphony Hall at the San Francisco Symphony. He will also return to the Vancouver Recital Society and Muziekcentrum Ghent in Belgium. Orchestral engagements feature his debut with the Louisville Orchestra under Robert Spano performing Rachmaninov’s Piano Concerto No. 3, and a return to the Orchestre Métropolitain with Glass Marcano playing Prokofiev’s Piano Concerto No. 3. Recent appearances include performances with the Nashville Symphony, Shanghai Symphony, and New Jersey Symphony, collaborating with conductors Giancarlo Guerrero, Daniel Harding, Jacek Kaspszyk, and Christoph König, among others.

In the 2023–24 season, Mr. Yun made his Carnegie Hall debut with the Orchestre Métropolitain under Yannick Nézet-Séguin, following his 2022–23 debut with The Philadelphia Orchestra. He has also appeared with the Toronto Symphony, Baltimore Symphony, Calgary Philharmonic, Buffalo Philharmonic, Hamilton Philharmonic, and Rhode Island Philharmonic. Past recital engagements in North America include Stanford Live, La Jolla Music Society, the Gilmore Rising Stars Series, 92nd Street Y (New York), the Vancouver Recital Society, and Friends of Chamber Music Denver. In Europe, he has performed at the Elbphilharmonie Hamburg, Gewandhaus Leipzig, Tonhalle Düsseldorf, Philharmonie Luxembourg, Muziekcentrum Ghent, among others.

Mr. Yun graduated from The Juilliard School in 2025 and will return as an Artist Diploma candidate. He is a recipient of the Jerome L. Greene Fellowship and studies with Professors Yoheved Kaplinsky and Matti Raekallio.