Opening Night
Friday Jul 31, 2026 7:00 pm
Opening Night kicks off the season featuring artists and companies making appearances throughout the Festival including Dance Theatre of Harlem, Limón Dance Company, American Ballet Theatre principal dancers Catherine Hurlin and Aran Bell, tap dance luminary Michelle Dorrance, LINES Ballet star Adji Cissoko, Artist-In-Residence Sara Mearns (NYCB), and ballroom champions Denys Drozdyuk and Antonina Skobina. In the second half of the evening, guest stars including Lauren Lovette, Isabella Boylston (ABT), and Unity Phelan (NYCB) join Colorado Ballet in a special performance of George Balanchine’s landmark ballet Serenade, with Tschaikovsky’s score performed live by the National Repertory Orchestra conducted by Michael Stern.
Generously underwritten by Lisa Tannebaum & Donald Brownstein.
JAM SESSION 2024
Music: Artists
Choreography: Artists
Performers: Adji Cissoko, Michelle Dorrance, Ron Myles, Denys Drozdyuk & Antonina Skobina
Suite from A CHOREOGRAPHIC OFFERING
Music: J.S. Bach, Musical Offering
Choreography: José Limón (1964)
Performers: Natalie Clevenger, Joey Columbus, Mj Edwards, Kieran King, Deepa Liegel, Olivia Mozie, Eric Parra, Nicholas Ruscica, Jessica Sgambelluri, Savannah Spratt, Lauren Twomley
WHEN LOVE
Music: Philip Glass
“Knee Play 5” from Einstein on the Beach
Choreography: Helen Pickett
Performers: Alexandra Hutchinson, Micah Bullard
ELÉGIE
Music: Igor Stravinsky
Choreography: George Balanchine, © The George Balanchine Trust
Performer: Artist-in-Residence Sara Mearns
LE CORSAIRE
Act 3 Pas de Deux
Music: Adolphe Adam
Choreography after Marius Petipa
Performers: Catherine Hurlin, Aran Bell
SERENADE
Music: Peter Ilyitch Tschaikovsky
Choreography: George Balanchine ©The George Balanchine Trust
Performers: Isabella Boylston, Lauren Lovette, Unity Phelan, Chun Wai Chan, James Whiteside & Colorado Ballet
Casting and repertory are subject to change.
Photo credit: Lauren Lovette with Colorado Ballet in Serenade. Choreography by George Balanchine. © The George Balanchine Trust. Photo by Erin Baiano.
Questions? Contact the Box Office at [email protected] or call 970.845.TIXS(8497)
Gates open one hour prior to showtime.
Michelle Dorrance
(Co-Director/Performer) is a lifelong tap dancer and long-time Festival Artist, whose innovative works have graced Vail’s stages to great acclaim. Her full bio is available for viewing online at the Vail Dance Festival website: vaildance.org
Adji Cissoko was born and grew up in Munich, Germany, where she trained at the Ballet Academy Munich and graduated with a diploma in dance. Cissoko attended the Jacqueline Kennedy Onassis School at American Ballet Theatre in New York City on full scholarship before joining the National Ballet of Canada in 2010. In 2012, she was awarded the Patron Award of Merit by the Patrons’ Council Committee of The National Ballet of Canada. Cissoko joined LINES Ballet in 2014. Since then, she’s originated many central roles and guested for galas worldwide. Cissoko has given multiple master classes and taught classes around the world as part of the company’s outreach program. In 2020, she became certified in health/life coaching and ABT’s National Training Curriculum. Cissoko choreographed her first piece, “AZIZ,” for Ballet X in 2021. She is also a 2022 recipient of the Toulmin Fellowship and was the Artist-in-Residence for Vail Dance Festival in 2023.
BORN TO A JALI STORYTELLER FAMILY IN SENEGAL, YOUBA IS A 72ND GENERATION KORA PLAYER.
The kora, or a type of harp made from a calabash gourd, was commissioned by West African kings to recount songs of folklore and love.
Youba fluently plays this traditional Mandinka and Wolof music as well as a modern style made up of jazz, reggae, and Afro beats. His lilting sound and expansive range comes from a lifelong exposure to a rich musical diversity. His father is Issa Cissokho, the saxophone player for the legendary world music group Orchestra Baobab, which blended Latin and Caribbean music with West African styles.
Youba has performed solo all over Africa, Europe, and the United States in cities such as Paris, New York, and Dakar. He also joined Artist-In-Residence and LINES Ballet dancer Adji Cissoko on Center Stage at the Vail Dance Festival and frequently accompanies the Temple University ballet classes and orchestras. Youba has played at venues such as The Philadelphia Art Museum and World Cafe Live as well as on the main stages at Harmonic Earth Festival, Cisko Centre, and Odunde Festival, the largest African American street festival in the U.S. with over 500,000 attendees.
Youba currently resides in Philadelphia and is available to travel to perform nationally and internationally. He is sought after for private events, state dinners, museums, gardens, ceremonies, and weddings. Youba is also a fixture in yoga studios and retreats; classical and modern dance classes; and clubs and cultural festivals.
Youba’s music can stand on its own or be part of a larger band. He’s able to conjure a danceable, rhythmic, and energetic experience as well a calming, meditative environment. From the very first note he plays on his strings, it feels as if he can suspend time with his soulful and mesmerizing sound.
Denys Drozdyuk was born in Chernivtsi, Ukraine where he started dancing at the age of 4. From then on, he has been continuously trained in ballroom dance. He holds a Bachelor of Fine Arts Degree in Dance from The Juilliard School and a Master of Arts Degree in Dance Education from New York University.
Together with Antonina Skobina, Denys co-founded a ballroom dance performance duet, “DNA.” He is also the co-founder of DNA Dance Academy, Manhattan’s first ballroom dance school dedicated specifically to children.
Denys participated on NBC’s TV show World of Dance for two seasons and was a finalist on the Canadian TV show Revolution. He is also a winner of So You Think You Can Dance Canada television show.
Some of his ballroom dance achievements include: 3-Time World Ballroom Champion, 3-Time USA National Ballroom Dance Champion, 7-Time German National Ballroom Dance Champion, 3-Time Canadian National Ballroom Dance Champion, and Blackpool Dance Festival Winner.
Denys performs frequently as a Guest Artist with the Stars of American Ballet, and in various international ballet galas, festivals, and productions worldwide.
Denys is the recipient of the NYSCA/NYFA Artist Fellowship in Choreography, CUNY Dance Initiative Residency, Green Box Arts Residency, and was featured in Vogue (USA and International editions). He also teaches workshops and master classes throughout the world.
Antonina Skobina was born in Mariupol, Ukraine. She is a 3-Time US National Ballroom Dance Champion and a Vice-World Champion. She is also a Blackpool Dance Festival Winner, which is the most prestigious ballroom dance competition in the world.
Together with Denys Drozdyuk, Antonina co-founded a collaborative ballroom dance performance duet, “DNA.” She is also the co-founder of DNA Dance Academy, Manhattan’s first ballroom dance school dedicated specifically to children.
Antonina participated on NBC’s hit television show World of Dance for two seasons and was a finalist on the Canadian TV show Revolution. She performs frequently as a Guest Artist with the Stars of American Ballet and at various international ballet galas, festivals, and productions worldwide.
Antonina is the recipient of the NYSCA/NYFA Artist Fellowship in Choreography, CUNY Dance Initiative Residency, Green Box Arts Residency and was featured in Vogue (USA and International editions). In addition to dancing, she has a great passion for acting and is a graduate of the New York Film Academy. She also teaches workshops and master classes throughout the world.
Now a singular presence in the ballet world, the Dance Theatre of Harlem Company tours nationally and internationally, presenting a powerful vision for ballet in the 21st century. The 18-member, multi-ethnic company performs a forward-thinking repertoire that includes treasured classics, neoclassical works by George Balanchine and resident choreographer Robert Garland, as well as innovative contemporary works that use the language of ballet to celebrate Arthur Mitchell’s belief that ballet belongs to everyone. Through performances, community engagement and arts education, the Company carries forward Dance Theatre of Harlem’s message of empowerment through the arts for all.
Born in New York City, Catherine Hurlin joined ABT as an apprentice in December 2013 and the corps de ballet in June 2014. She was promoted to Soloist in September 2018 and to Principal In 2022. Her repertoire with the Company includes principal roles such as Kitri in Don Quixote, Odette/Odile in Swan Lake, Juliet in Sir Kenneth MacMillian’s Romeo and Juliet, Giselle and Myrta in Giselle, Lescaut’s Mistress in Manon, Lead Maiden in Firebird, and created the principal role Calirhoe in Alexi Ratmanski’s Of Love and Rage. She also performed leading roles in works by Twyla Tharp, Wayne McGregor, Jessica Lang, Mark Morris, Michelle Dorrance, Benjamin Millepied, Christopher Wheeldon, Justin Peck, George Balanchine and Alexei Ratmansky.
Aran Bell was born in Bethesda, Maryland. He began studying ballet at age four, receiving the majority of his early training at Central Pennsylvania Youth Ballet and with Denys Ganio in Rome, Italy. He has performed in galas throughout Europe and the United States. Bell was featured in the 2011 film First Position: A Ballet Documentary. Bell joined the ABT Studio Company in September 2014, joined the main Company as an apprentice in May 2016 and became a member of the corps de ballet in March 2017.
Presenting exceptional classical ballet and innovative contemporary dance through performances, training, education and community engagement, Colorado Ballet continues to inspire and grow an increasingly diverse audience base in Denver, Colorado. Established in 1961 by Lillian Covillo and Freidann Parker, Colorado Ballet is a non-profit organization celebrating 63 years of excellence. As a world-class professional company serving over 100,000 national and international patrons, Colorado Ballet presents 58 performances annually to sold-out audiences in the 2,000 seat Ellie Caulkins Opera House. The Company’s 36 professional dancers and 22 studio company dancers come from all over the world. Colorado Ballet’s The Armstrong Center for Dance, a 35,000 square foot building, boasts eight state-of-the-art professional dance studios and amenities for the professional Company. Under the direction of Artistic Director Gil Boggs, Colorado Ballet performs classical ballet masterpieces, full-length story ballets and its critically acclaimed repertory production Ballet MasterWorks, featuring varied works from neoclassical ballets to world premieres. The Raydean Acevedo Colorado Ballet Academy serves over 1,200 students from toddlers to seniors each year. Colorado Ballet’s Education & Community Engagement offers programs to students and community members, making over 25,000 contacts and reaching over 200 schools and organizations annually. Participants come from a variety of backgrounds and socioeconomic statuses including youth, families, teachers, and people with and without disabilities. For more information, please visit coloradoballet.org.
Lauren Lovette personifies the intertwining of dance and choreography, moving seamlessly from one to the other. Her work has been commissioned and performed by leading dance companies and festivals, including the New York City Ballet, American Ballet Theatre, the Vail International Dance Festival, American Ballet Theatre Studio Company, the Paul Taylor Dance Company, Nevada Ballet Theatre, Juilliard, Oregon Ballet Theater, Colorado Ballet, as well as a self-produced evening entirely of her own work in which she also danced, Why It Matters.
Born in Thousand Oaks, California, Lovette began studying ballet at the age of 11 at the Cary Ballet Conservatory in Cary, North Carolina. She enrolled at SAB as a full time student in 2006. In October 2009, Ms. Lovette became an apprentice with NYCB and joined the Company as a member of the corps de ballet in September 2010. Promoted to soloist in February 2013 and to principal dancer in June 2015, she stepped down from her position at the company in 2021 in order to embark on a career devoted to dance and choreography in more equal measure. She is now the choreographer in residence at the Paul Taylor Dance Company and performs as a guest principal dancer around the world.
Ms. Lovette received the Clive Barnes Award for dance in December 2012 and was the 2012-2013 recipient of the Janice Levin Award.
SARA MEARNS, Columbia, SC, principal dancer New York City Ballet since 2008. Originated roles with choreographers Justin Peck, Kyle Abraham, Alexei Ratmansky, Pam Tanowitz, Bobbi Jene Smith, Christopher Wheeldon, Guillaume Cote, Beth Gill, among others. Guest Performer: Paul Taylor Dance Company, The Cunningham Centennial Celebration, Jodi Melnick Dance, Bill T Jones/Lee Ming Wei, and Wang Ramirez. At NYCC, she starred in Matthew Bourne’s The Red Shoes, Encores! I Married An Angel, and Twyla Now as well as multiple Fall for Dances, and performed Dances of Isadora Duncan at Lincoln Center. At The Joyce in 2022, Sara performed a full evening with five world premier pieces, titled “A piece of Work”, awarded the Bessie Award for outstanding performer in 2018, awarded the Dance Magazine Award in 2019, and an Honorary Doctorate University of South Carolina in 2019.
James Whiteside is redefining the meaning of multihyphenate as a principal dancer and choreographer for the American Ballet Theater, host of the “Stage Rightside” podcast, and author of “Center Center”.
He began his ballet training at age nine at the D’Valda & Sirico Dance and Music Centre in Fairfield, CT. After completing his training, he was a principal dancer with Boston Ballet until 2012 and has been a principal dancer with American Ballet Theatre since 2013, dancing principal roles in Swan Lake, The Nutcracker, Romeo & Juliet, Giselle, and many more. Additionally, Whiteside has choreographed for pop stars Mariah Carey and Taylor Swift. He continues to choreograph for music videos, commercials, film and ballet including New American Romance and City of Women for American Ballet Theatre and Marilyn’s Funeral for The Juilliard School. The short film, Daytripper, which he directed and choreographed, was nominated for a New York Emmy.
Off the ABT stage, Whiteside published his first book, “Center Center: A Funny, Sexy, Sad Almost Memoir of a Boy in Ballet”. Whiteside’s social media channels have nearly one million followers and his sponsorships include brands such as St. Germain, Sonos, Uber, and more. He also hosts his own popular podcast, “The Stage Rightside with James Whiteside. Whiteside has completed Harvard Business School’s Crossover Into Business program.
Photo by Emil Cohen.
Gilbert Bolden III is a Soloist with New York City Ballet. He was born in San Diego, California and began dancing at the age of nine in Las Vegas, Nevada. His ballet training began in 2011 at Idyllwild Arts Academy in Idyllwild, CA, and he continued his studies at The Rock School for Dance Education in Philadelphia, PA in 2013. In 2014, Mr. Bolden enrolled at the School of American Ballet, NYCB’s official school. He became an apprentice with the Company in August 2017, joined the Company as a member of the corps de ballet in August 2018, and was promoted to Soloist in October 2023. Since joining the company Mr. Bolden has originated featured roles in ballets by Justin Peck, Silas Farley, and Gianna Reisen. He has also been featured in many works by George Balanchine and Jerome Robbins.
The National Repertory Orchestra is an educational organization based in Breckenridge, Colorado. Each year, 80 talented young musicians are selected to take part in the Summer Music Festival, where they will learn extensive repertoire alongside mentorship and leadership. During the eight-week festival, led by Music Director Michael Stern, the NRO performs as many as 18 orchestral concerts and over 32 free, community, family-friendly concerts. The NRO balances the needs of the participants with the needs of the community to create socially conscious musicians and prepare them for a career in music. Our alumni have taken on leadership roles in major orchestras around the world, including the New York Philharmonic, the Dallas Symphony, and the Philadelphia Orchestra.
Unity Phelan was born in Princeton, New Jersey where she studied at the Princeton Ballet School. After attending summer courses at the School of American Ballet, Phelan was invited to attend the school full time and remained at the school for three years. Phelan was invited to join the New York City Ballet in the winter of 2012 as an apprentice and joined the company as a Corps de Ballet member in 2013. In the Winter of 2017, Phelan was promoted to Soloist dancer and in the Fall of 2021, she was promoted to Principal dancer. In her time at New York City Ballet, Phelan has danced numerous ballets by George Balanchine, Jerome Robbins, Alexei Ratmansky, Justin Peck, Christopher Wheeldon and other choreographers. Phelan has been featured in Dance Magazine, Elle Magazine, and People Style Magazine. In the last couple years, Phelan has been found on the silver screen acting in “John Wick 3: Parabellum” and “I’m Thinking of Ending Things”. In 2019, Phelan was awarded the Lincoln Center Emerging Artist Award for her work at New York City Ballet.
To learn more about attending a performance through our Community Arts Access program or providing support to eliminate socioeconomic barriers to the arts, please contact Martha Brassel ([email protected])