AILEY II
Vilar Performing Arts Center
Dance as an art form progresses through innovations and changes of direction, both sudden and gradual. Hosted by Festival Artistic Director Damian Woetzel, UpClose features dramatic “swerves” in the history of dance as shown through the works that have led this art form forward. This program features Festival stars in rehearsal and performance mode as they take on groundbreaking choreography from across centuries of dance styles from ballet and modern dance to street styles, tap, and ballroom.
Generously underwritten by Jeffrey Byrne & Rosalind Reed.
Casting and repertory are subject to change.
Photo credit:
Lauren Lovette, James Whiteside, and Unity Phelan in rehearsal for Serenade (1934) by George Balanchine on the UpClose | Mr. B: George Balanchine’s 20th Century program of the 2023 Vail Dance Festival. Choreography by George Balanchine
©The George Balanchine Trust. Photo by Christopher Duggan.
We are proud to present works by Isadora Duncan as part of UpClose: Swerve. The works Butterfly Etude and Harp Etude, performed by Artist-In-Residence Sara Mearns, would not have been possible without support from Lori Belilove.
Lori Belilove’s direct lineage and prestigious performing career have earned her an international reputation as the premier interpreter and ambassador of the dance of Isadora Duncan. As a third generation Duncan dancer, Belilove is considered the living embodiment of Duncan’s grace, power, and mastery of weight. Read more about Lori Belilove and the Isadora Duncan Dance Foundation here. Link is: https://www.isadoraduncan.org/lori-belilove
Questions? Contact the Box Office at [email protected] or call 970.845.TIXS(8497)
Gates open one hour prior to showtime.
SARA MEARNS, Columbia, SC, principal dancer New York City Ballet since 2008. Originated roles with choreographers Justin Peck, Kyle Abraham, Alexei Ratmansky, Pam Tanowitz, Bobbi Jene Smith, Christopher Wheeldon, Guillaume Cote, Beth Gill, among others. Guest Performer: Paul Taylor Dance Company, The Cunningham Centennial Celebration, Jodi Melnick Dance, Bill T Jones/Lee Ming Wei, and Wang Ramirez. At NYCC, she starred in Matthew Bourne’s The Red Shoes, Encores! I Married An Angel, and Twyla Now as well as multiple Fall for Dances, and performed Dances of Isadora Duncan at Lincoln Center. At The Joyce in 2022, Sara performed a full evening with five world premier pieces, titled “A piece of Work”, awarded the Bessie Award for outstanding performer in 2018, awarded the Dance Magazine Award in 2019, and an Honorary Doctorate University of South Carolina in 2019.
Michelle Dorrance
(Co-Director/Performer) is a lifelong tap dancer and long-time Festival Artist, whose innovative works have graced Vail’s stages to great acclaim. Her full bio is available for viewing online at the Vail Dance Festival website: vaildance.org
Lauren Lovette personifies the intertwining of dance and choreography, moving seamlessly from one to the other. Her work has been commissioned and performed by leading dance companies and festivals, including the New York City Ballet, American Ballet Theatre, the Vail International Dance Festival, American Ballet Theatre Studio Company, the Paul Taylor Dance Company, Nevada Ballet Theatre, Juilliard, Oregon Ballet Theater, Colorado Ballet, as well as a self-produced evening entirely of her own work in which she also danced, Why It Matters.
Born in Thousand Oaks, California, Lovette began studying ballet at the age of 11 at the Cary Ballet Conservatory in Cary, North Carolina. She enrolled at SAB as a full time student in 2006. In October 2009, Ms. Lovette became an apprentice with NYCB and joined the Company as a member of the corps de ballet in September 2010. Promoted to soloist in February 2013 and to principal dancer in June 2015, she stepped down from her position at the company in 2021 in order to embark on a career devoted to dance and choreography in more equal measure. She is now the choreographer in residence at the Paul Taylor Dance Company and performs as a guest principal dancer around the world.
Ms. Lovette received the Clive Barnes Award for dance in December 2012 and was the 2012-2013 recipient of the Janice Levin Award.
Melissa Toogood has appeared on the Vail stage since 2015. She is a New York Dance and Performance Award (Bessie) winning, internationally recognized dancer and master teacher celebrated for her work most notably with the Merce Cunningham Dance Company, where she was one of the last dancers to work directly with Cunningham himself. A 2013 and 2015 Merce Cunningham Fellow and official stager for the Merce Cunningham Trust, Melissa has taught his technique worldwide since 2007 and continues to stage his work for renowned companies including the Stephen Petronio Company and the Washington Ballet. As a longtime dancer with choreographer Pam Tanowitz, she has served as Rehearsal Director and Artistic Associate for Tanowitz’s company, assisting on new works for major institutions such as The Australian Ballet, Martha Graham Dance Company, and The Royal Ballet. Melissa’s freelance career spans performances with leading artists including Tanowitz, Kyle Abraham, Kimberly Bartosik, Rosie Herrera Dance Theater, Sally Silvers, and the Petronio Company, alongside her own choreographic commissions for Boston Ballet, New York Theater Ballet, and the Vail Dance Festival. She teaches Cunningham Technique at Sydney Dance Company and continues to mentor the next generation of dancers. A prominent voice in the dance community, Melissa has lectured, written for publications like Dance Magazine, and appeared in several films and exhibitions, including the acclaimed Cunningham 3D film.
Unity Phelan was born in Princeton, New Jersey where she studied at the Princeton Ballet School. After attending summer courses at the School of American Ballet, Phelan was invited to attend the school full time and remained at the school for three years. Phelan was invited to join the New York City Ballet in the winter of 2012 as an apprentice and joined the company as a Corps de Ballet member in 2013. In the Winter of 2017, Phelan was promoted to Soloist dancer and in the Fall of 2021, she was promoted to Principal dancer. In her time at New York City Ballet, Phelan has danced numerous ballets by George Balanchine, Jerome Robbins, Alexei Ratmansky, Justin Peck, Christopher Wheeldon and other choreographers. Phelan has been featured in Dance Magazine, Elle Magazine, and People Style Magazine. In the last couple years, Phelan has been found on the silver screen acting in “John Wick 3: Parabellum” and “I’m Thinking of Ending Things”. In 2019, Phelan was awarded the Lincoln Center Emerging Artist Award for her work at New York City Ballet.
Calvin Royal III is an acclaimed internationally recognized Principal Dancer with American Ballet Theatre. After starting ballet at age 14, he gained recognition as a finalist in the Youth America Grand Prix in New York City, which led to a scholarship at ABT’s Jacqueline Kennedy Onassis School. Within two years, he was promoted to ABT II, and his subsequent growth earned him a position with ABT Main Company in 2010, nominations for the Clive Barnes Award and the Leonore Annenberg Fellowship. Calvin has performed star turns throughout his tours with ABT worldwide including the ABT seasons at the Lincoln Center for the Performing Arts in New York City – as the title role in George Balanchine’s Apollo, Prince Siegfried in Swan Lake, Romeo in Romeo and Juliet, The Prince in Alexei Ratmansky’s The Nutcracker, Count Albrecht in Giselle, and has worked with notable choreographers such as Twyla Tharp, Justin Peck, Helen Pickett, Benjamin Millepied, Alonzo King, Mark Morris, Wayne McGreggor, Kyle Abraham, Michelle Dorrance, Jamar Roberts, and many more. In 2017, he was promoted to Soloist, and in 2020, Calvin made history as the third African-American to become Principal Dancer in ABT’s 81-year history. Calvin was the 2020/21 Artist-in-Residence at Vail Dance Festival, and in 2024, he curated and co-produced the Joyce Theater’s Ballet Festival program UNITE. His journey reflects resilience, mentorship, and the transformative power of dance. For more visit calvinroyaliii.com and follow Calvin on all social media platforms @calvinroyaliii
Harrison Coll is a New York City Ballet Soloist. Born in Manhattan, New York, he began his dance training locally at the age of 4 and in 2003, he entered the School of American Ballet. In November 2012, Mr. Coll became an apprentice with NYCB and joined the Company as a member of the corps de ballet in August 2013. He was promoted to soloist in October 2018. Since joining the Company, Coll has performed featured roles in ballets by George Balanchine, Jerome Robbins, Peter Martins, Mauro Bigonzetti, Andrea Miller, Justin Peck, Troy Schumacher, and Myles Thatcher.
Charles “Lil Buck” Riley is a world-renowned and award-winning performing artist, entrepreneur, and advocate for the arts and humanities. Lil Buck’s dance repertoire includes a multitude of styles including Memphis Jookin’, ballet, hip-hop, and modern, just to name a few.
Over the course of his career, he has performed and collaborated with some of the world’s finest artists and brands including Yo-Yo Ma, Madonna, Alicia Keys, Janelle Monáe, Lizzo, Nike, Chanel, Versace, Louis Vuitton, Apple, Jordan, Lexus, Gap, and many others.
Outside of dance, Lil Buck is a true creative and has provided a unique skill-set to top-notch projects which include being a choreographer on the Starz TV series Blindspotting, Season 1 and 2, a guest judge on So You Think You Can Dance, and roles in both the movie Emperor and the feature film Her. Lil Buck designed a capsule collection for Versace and provided artistic consultation to many brands over his lengthy career. Recently, Lil Buck’s story and creative process were captured in the documentary Lil Buck: Real Swan which premiered at the Tribeca Film Festival and in the Netflix documentary series, MOVE.
Lil Buck has always had an entrepreneurial spirit. In 2014, Lil Buck was presented with the Wall Street Journal’s Innovator of the Year award. His strong business acumen is ever present in the many projects that he is involved in outside of dance which include ventures related to food and beverage, brand management, fashion, and production.
Currently, Lil Buck is personally producing multiple major stage shows which culminate the essence of dance as a tool to change the world. One of his newest productions in development transforms Lil Buck back to his home-town roots. Entitled Memphis Jookin’: The Show, this awe inspiring production brings Lil Buck’s career full circle.
Born in New York City, Catherine Hurlin joined ABT as an apprentice in December 2013 and the corps de ballet in June 2014. She was promoted to Soloist in September 2018 and to Principal In 2022. Her repertoire with the Company includes principal roles such as Kitri in Don Quixote, Odette/Odile in Swan Lake, Juliet in Sir Kenneth MacMillian’s Romeo and Juliet, Giselle and Myrta in Giselle, Lescaut’s Mistress in Manon, Lead Maiden in Firebird, and created the principal role Calirhoe in Alexi Ratmanski’s Of Love and Rage. She also performed leading roles in works by Twyla Tharp, Wayne McGregor, Jessica Lang, Mark Morris, Michelle Dorrance, Benjamin Millepied, Christopher Wheeldon, Justin Peck, George Balanchine and Alexei Ratmansky.
Denys Drozdyuk was born in Chernivtsi, Ukraine where he started dancing at the age of 4. From then on, he has been continuously trained in ballroom dance. He holds a Bachelor of Fine Arts Degree in Dance from The Juilliard School and a Master of Arts Degree in Dance Education from New York University.
Together with Antonina Skobina, Denys co-founded a ballroom dance performance duet, “DNA.” He is also the co-founder of DNA Dance Academy, Manhattan’s first ballroom dance school dedicated specifically to children.
Denys participated on NBC’s TV show World of Dance for two seasons and was a finalist on the Canadian TV show Revolution. He is also a winner of So You Think You Can Dance Canada television show.
Some of his ballroom dance achievements include: 3-Time World Ballroom Champion, 3-Time USA National Ballroom Dance Champion, 7-Time German National Ballroom Dance Champion, 3-Time Canadian National Ballroom Dance Champion, and Blackpool Dance Festival Winner.
Denys performs frequently as a Guest Artist with the Stars of American Ballet, and in various international ballet galas, festivals, and productions worldwide.
Denys is the recipient of the NYSCA/NYFA Artist Fellowship in Choreography, CUNY Dance Initiative Residency, Green Box Arts Residency, and was featured in Vogue (USA and International editions). He also teaches workshops and master classes throughout the world.
Antonina Skobina was born in Mariupol, Ukraine. She is a 3-Time US National Ballroom Dance Champion and a Vice-World Champion. She is also a Blackpool Dance Festival Winner, which is the most prestigious ballroom dance competition in the world.
Together with Denys Drozdyuk, Antonina co-founded a collaborative ballroom dance performance duet, “DNA.” She is also the co-founder of DNA Dance Academy, Manhattan’s first ballroom dance school dedicated specifically to children.
Antonina participated on NBC’s hit television show World of Dance for two seasons and was a finalist on the Canadian TV show Revolution. She performs frequently as a Guest Artist with the Stars of American Ballet and at various international ballet galas, festivals, and productions worldwide.
Antonina is the recipient of the NYSCA/NYFA Artist Fellowship in Choreography, CUNY Dance Initiative Residency, Green Box Arts Residency and was featured in Vogue (USA and International editions). In addition to dancing, she has a great passion for acting and is a graduate of the New York Film Academy. She also teaches workshops and master classes throughout the world.
Aran Bell was born in Bethesda, Maryland. He began studying ballet at age four, receiving the majority of his early training at Central Pennsylvania Youth Ballet and with Denys Ganio in Rome, Italy. He has performed in galas throughout Europe and the United States. Bell was featured in the 2011 film First Position: A Ballet Documentary. Bell joined the ABT Studio Company in September 2014, joined the main Company as an apprentice in May 2016 and became a member of the corps de ballet in March 2017.
Olivia Bell is a corps de ballet member with New York City Ballet. Born in Fort Worth, Texas, she trained locally before being accepted to the School of American Ballet in 2018. While a student, Olivia originated a featured role in Gianna Reisen’s Signs. In 2022 Olivia became an apprentice with New York City Ballet and was then promoted to corps de ballet in 2023. As a corps member Olivia has performed featured roles in Kyle Abraham’s Love Letter on Shuffle, George Balanchine’s Swan Lake, Tiler Peck’s Concerto for Two Pianos, and Jerome Robbins Interplay.
Kayla Mak (she/her) grew up in Rye Brook, NY and studied at Westchester Dance Academy and Ballet Academy East. As a BFA student at The Juilliard School under the direction of Alicia Graf Mack and Mario Alberto Zambrano, she performed works by Justin Peck, Caili Quan, Sidra Bell, Shen Wei, and Jamar Roberts, amongst others. Kayla is also currently a member of ABT Studio Company under the direction of Sascha Radetsky and is performing works by George Balanchine, Jerome Robbins, Houston Thomas, Yannick Lebrun, Kevin McKenzie and more. Kayla participated in NBC’s World of Dance and has had other professional performance opportunities with choreographer Juliano Nunes in Switzerland and Mexico. Mak is incredibly grateful for all who have supported her along the way and looks forward to her future in dance.
KJ Takahashi is a member of New York City Ballet’s corps de ballet. He was born in Dallas, Texas, and began his ballet training at age 8 at Ballet Academy of Texas under the direction of Lisa Slagle. In 2014, he studied ballet at Mejia Ballet International under the direction of Paul Mejia and in 2015, he began training at Ballet Tech under the direction of Elliot Feld. He entered the School of American Ballet, the official school of New York City Ballet, in 2016, and received additional training at summer courses at the Pacific Northwest Ballet School. Mr. Takahashi was named an apprentice with NYCB in 2019 and as an apprentice, performed featured roles in George Balanchine’s The Nutcracker (Candy Cane, Tea) and Lauren Lovette’s The Shaded Line. He originated a featured role in Kyle Abraham’s dance film Where We Fell in 2020. Mr. Takahashi joined the Company as a member of the corps de ballet in August 2021 and was promoted to soloist in April 2023.
Mr. Takahashi was the Janice Levin Dancer Honoree for 2022-2023.
Philip Duclos is a soloist with The Royal Danish Ballet. He joined the company as a member of the corps de ballet in 2022, and was promoted to soloist in 2025. He has danced roles such as Prince Desiré in Christopher Wheeldon’s Sleeping Beauty, one of the principal men in Harald Lander’s Études, and Melancholic in George Balanchine’s The Four Temperaments. He has also danced featured roles in Wayne McGregor’s Dante Project, Balanchine’s Scotch Symphony, Jerome Robbins’ The Four Seasons, Gregory Dean’s Cinderella and Gotta Dance, John Neumeier’s A Midsummer Night’s Dream, and Nikolaj Hübbe’s Raymonda and Don Quixote. He was also awarded the Ballettens Venner Talent Prize in the spring of 2025.
To learn more about attending a performance through our Community Arts Access program or providing support to eliminate socioeconomic barriers to the arts, please contact Martha Brassel ([email protected])