AILEY II
Vilar Performing Arts Center
The combination of song and dance is timeless, with a rich history that constantly expands. Hosted by Festival Artistic Director Damian Woetzel, UpClose features Festival stars taking on classic and contemporary pairings of songs and dances in rehearsal and performance mode, in a variety of dance styles from ballet and modern dance to street styles, tap, and more.
The evening will kick off Special performance of Larry Keigwin’s 2025 Rhapsody by Vail community members!
Featuring Festival Artists including:
Olivia Bell, Isabella Boylston, India Bradley, Lil Buck, Chun Wai Chan, Kate Davis, Patricia Delgado, Michelle Dorrance, Adji Cissoko, Youba Cissokho, Kate Davis, Robbie Fairchild, Cameron Grant, Savannah Green, Sara Mearns, Roman Mejia, Mira Nadon, Emiko Nakagawa, Dario Natarelli, Justin Peck, Unity Phelan, Michael Scales, Caroline Shaw, KJ Takahashi, Artist-in-Residence Melissa Toogood, Joel Wenhardt, and James Whiteside
LIEBESLIEDER WALZER
Music: Johannes Brahms
Choreography: George Balanchine
WHO CARES?
Music: George Gershwin
Choreography: George Balanchine
WESTERN SYMPHONY
Music: based on songs from the American West
Choreography: George Balanchine
BOOGIE WOOGIE BUGLE BOY
Music: The Andrews Sisters
Choreography: Paul Taylor
FANCY ME
Music: Groove Me by Fern Kinney
Choreography: Caili Quan
LAY ALL YOUR LOVE ON ME
Music: ABBA
Choreography: Pam Tanowitz
SONGS TO THE DARK VIRGIN
Music: Florence Price
Choreography: Jamar Roberts
YOU’RE IN MY HEART
Music: Rod Stewart
Choreography: Tiler Peck
THIS BITTER EARTH
Music: Max Richter and Dinah Washington
Choreography: Christopher Wheeldon
BROADWAY’S BUENA VISTA SOCIAL CLUB
Music: Buena Vista Social Club
Choreography: Patricia Delgado and Justin Peck
WEST SIDE STORY
Music: Leonard Bernstein
Choreography: Jerome Robbins
And an exploration of vernacular dances including tap dance, street dance, swing dance, and African dance.
Generously Underwritten by Jeffrey Byrne.
Casting and repertory are subject to change.
Photo credit: Mira Nadon and Brooklyn Rider in rehearsal for Tiler Peck’s “And So.” Photo by Christopher Duggan.
Questions? Contact the Box Office at [email protected] or call 970.845.TIXS(8497)
Gates open one hour prior to showtime.
Olivia Bell is a corps de ballet member with New York City Ballet. Born in Fort Worth, Texas, she trained locally before being accepted to the School of American Ballet in 2018. While a student, Olivia originated a featured role in Gianna Reisen’s Signs. In 2022 Olivia became an apprentice with New York City Ballet and was then promoted to corps de ballet in 2023. As a corps member Olivia has performed featured roles in Kyle Abraham’s Love Letter on Shuffle, George Balanchine’s Swan Lake, Tiler Peck’s Concerto for Two Pianos, and Jerome Robbins Interplay.
India Bradley is a member of New York City Ballet’s Corps de Ballet. She was born in Detroit, Michigan and began her dance training at the age of four at The Link School of the Arts in Troy, Michigan. At the age of eleven, she attended the Academy of Russian Classical Ballet in Novi, Michigan, under the direction of Sergey Rayevitskey.
Ms. Bradley attended the summer program at Dance Theatre of Harlem in 2012, and entered DTH’s Professional Training Program under the direction of Andrea Long that fall.
She attended the 2014 summer session at the School of American Ballet, NYCB’s official school, and enrolled as a full-time student later that year.
Ms. Bradley was named an apprentice in August 2017 and joined the Company as a member of the Corps de Ballet in August 2018.
Charles “Lil Buck” Riley is a world-renowned and award-winning performing artist, entrepreneur, and advocate for the arts and humanities. Lil Buck’s dance repertoire includes a multitude of styles including Memphis Jookin’, ballet, hip-hop, and modern, just to name a few.
Over the course of his career, he has performed and collaborated with some of the world’s finest artists and brands including Yo-Yo Ma, Madonna, Alicia Keys, Janelle Monáe, Lizzo, Nike, Chanel, Versace, Louis Vuitton, Apple, Jordan, Lexus, Gap, and many others.
Outside of dance, Lil Buck is a true creative and has provided a unique skill-set to top-notch projects which include being a choreographer on the Starz TV series Blindspotting, Season 1 and 2, a guest judge on So You Think You Can Dance, and roles in both the movie Emperor and the feature film Her. Lil Buck designed a capsule collection for Versace and provided artistic consultation to many brands over his lengthy career. Recently, Lil Buck’s story and creative process were captured in the documentary Lil Buck: Real Swan which premiered at the Tribeca Film Festival and in the Netflix documentary series, MOVE.
Lil Buck has always had an entrepreneurial spirit. In 2014, Lil Buck was presented with the Wall Street Journal’s Innovator of the Year award. His strong business acumen is ever present in the many projects that he is involved in outside of dance which include ventures related to food and beverage, brand management, fashion, and production.
Currently, Lil Buck is personally producing multiple major stage shows which culminate the essence of dance as a tool to change the world. One of his newest productions in development transforms Lil Buck back to his home-town roots. Entitled Memphis Jookin’: The Show, this awe inspiring production brings Lil Buck’s career full circle.
Mr. Chan was born in Guangdong, China, in 1992 and trained at the Guangzhou Art School from 2004 to 2010. In 2010 he was finalist at the Prix de Lausanne, Switzerland, which earned him a full scholarship to study with Houston Ballet Academy. Chan joined the corps de ballet of Houston Ballet in 2012 and was promoted to principal dancer in 2017. In 2020, Chan was among the finalists of Hunan TV’s “Dance Smash”.
Chan joined NYCB as a soloist in 2021 and was promoted to principal dancer the following year, making him the company’s first Chinese principle since its founding in 1948. Most recently, Forbes China included Chan in their “30 under 30” list and he was featured on the cover of Dance magazine for May 2023. (@chunner)
Adji Cissoko was born and grew up in Munich, Germany, where she trained at the Ballet Academy Munich and graduated with a diploma in dance. Cissoko attended the Jacqueline Kennedy Onassis School at American Ballet Theatre in New York City on full scholarship before joining the National Ballet of Canada in 2010. In 2012, she was awarded the Patron Award of Merit by the Patrons’ Council Committee of The National Ballet of Canada. Cissoko joined LINES Ballet in 2014. Since then, she’s originated many central roles and guested for galas worldwide. Cissoko has given multiple master classes and taught classes around the world as part of the company’s outreach program. In 2020, she became certified in health/life coaching and ABT’s National Training Curriculum. Cissoko choreographed her first piece, “AZIZ,” for Ballet X in 2021. She is also a 2022 recipient of the Toulmin Fellowship and was the Artist-in-Residence for Vail Dance Festival in 2023.
BORN TO A JALI STORYTELLER FAMILY IN SENEGAL, YOUBA IS A 72ND GENERATION KORA PLAYER.
The kora, or a type of harp made from a calabash gourd, was commissioned by West African kings to recount songs of folklore and love.
Youba fluently plays this traditional Mandinka and Wolof music as well as a modern style made up of jazz, reggae, and Afro beats. His lilting sound and expansive range comes from a lifelong exposure to a rich musical diversity. His father is Issa Cissokho, the saxophone player for the legendary world music group Orchestra Baobab, which blended Latin and Caribbean music with West African styles.
Youba has performed solo all over Africa, Europe, and the United States in cities such as Paris, New York, and Dakar. He also joined Artist-In-Residence and LINES Ballet dancer Adji Cissoko on Center Stage at the Vail Dance Festival and frequently accompanies the Temple University ballet classes and orchestras. Youba has played at venues such as The Philadelphia Art Museum and World Cafe Live as well as on the main stages at Harmonic Earth Festival, Cisko Centre, and Odunde Festival, the largest African American street festival in the U.S. with over 500,000 attendees.
Youba currently resides in Philadelphia and is available to travel to perform nationally and internationally. He is sought after for private events, state dinners, museums, gardens, ceremonies, and weddings. Youba is also a fixture in yoga studios and retreats; classical and modern dance classes; and clubs and cultural festivals.
Youba’s music can stand on its own or be part of a larger band. He’s able to conjure a danceable, rhythmic, and energetic experience as well a calming, meditative environment. From the very first note he plays on his strings, it feels as if he can suspend time with his soulful and mesmerizing sound.
Kate Davis is a singer, songwriter, and multi-instrumentalist. She studied at the Manhattan School of Music and has spent over a decade performing various musical styles at a wide range of venues across New York City, from rock clubs to Lincoln Center. In 2023, she released an album titled “Fish Bowl” through Anti Records. Recently, she relocated to her hometown of Portland, Oregon, to work as a music-thanatologist.
Michelle Dorrance
(Co-Director/Performer) is a lifelong tap dancer and long-time Festival Artist, whose innovative works have graced Vail’s stages to great acclaim. Her full bio is available for viewing online at the Vail Dance Festival website: vaildance.org
Patricia Delgado (she/her), first generation Cuban-American, was born in Miami, Florida. She was a principal dancer with the Miami City Ballet where she worked for almost 20 years and is currently a freelance artist living in NYC and a member of the dance faculty at The Juilliard School. She began her dance training, under cuban tutelage at 5 years old. She spent summers training in NYC at the School of American Ballet and American Ballet Theatre. In 2000, she was the Princess Grace Nominee and Edward Villella invited her to join his company as an apprentice.
Patricia Delgado has performed works by George Balanchine, Jerome Robbins, Twyla Tharp, Paul Taylor, Anthony Tudor, Richard Alston, Christopher Wheeldon, Edward Villella and Trey McIntyre as well as classical works such as “Coppelia”, “Giselle” and “Don Quixote”. One of her most memorable performances was performing the role of Juliet in John Cranko’s “Romeo and Juliet”. Patricia has also been incredibly fortunate to have created feature works with choreographers Alexei Ratmansky, Justin Peck, Pam Tanowitz, Jamar Roberts, Lauren Lovette, John Heginbotham, and Jodi Melnick among others.
She has performed at The Bolshoi, in Moscow, at the Theatre du Chatelet, in Paris, France, at the Chicago Dancing Festival, at the Vail International Dance Festival in Colorado and in New York City; at Fall for Dance at City Center, at the Joyce Theater and at the Koch Theatre at Lincoln Center among others.
Patricia has written several essays for dance publications. One entitled “Why I Dance” in January of 2015 for Dance Magazine and one for Dance Spirit Magazine in April of 2013.
She performed as Maggie Anderson in the musical “Brigadoon”, directed and choreographed by Christopher Wheeldon at Encores! City Center, she starred in the music video “The Dark Side of the Gym” for The National and also appeared as a guest performer on The Tonight Show. She is a repetiteur for Justin Peck. She staged “In Creases” on Boston Ballet, Ballet Arizona, and for members of The American Ballet Theatre and “Heatscape” in Dresden, Germany at the Semperoper Ballett. She was an Associate Producer on the 2020 Broadway revival of West Side Story and she is an Associate Choreographer on the feature film West Side Story, directed by Steven Spielberg. She was named a “Mujeres Imparables” by Telemundo in February 2022. And most recently joined the Advisory Committee at the Jerome Robbins Dance Division, New York Public Library for the Performing Arts.
She is devoted to creating a nurturing and positive environment of diversity, authenticity, inclusivity, vulnerability and belonging in all that she embarks upon, especially as she ventures into producing work for artists she admires, most recently Adriana Pierce’s #QueerTheBallet.
She and her husband, Justin Peck welcomed their daughter, Lucia Isabella into this world in March, 2021.
Shuaib Elhassan, from Manhattan’s Lower East Side, began his formal dance training at The Ailey School under the co-direction of Tracy Inman and Melanie Person on a full scholarship. Elhassan has also trained at intensives such as Earl Mosley’s Institute of the Arts, Jacob’s Pillow, and Complexions Contemporary Ballet. Elhassan was a member of Complexions Contemporary Ballet during their 2012–2013 season. Additionally, Elhassan has performed with Life Dance Company, Zest Collective, Dance Iquail, and the Von Howard Project. Elhassan joined LINES Ballet in 2014.
ROBBIE FAIRCHILD made his Tony nominated Broadway debut in 2015 as Jerry Mulligan in the Tony Award-winning musical An American in Paris, which he reprised in London’s West End in 2017. He was awarded the Drama Desk, Outer Critics Circle, Theater World, National Dance and Astaire Award for this performance and was nominated for the Evening Standard and Drama League Awards. From 2009 to 2017, Fairchild performed as a Principal Dancer with the New York City Ballet. His other theater credits include Monster in Mary Shelly’s Frankenstein (Signature Theater, Chita Rivera Award), Harry Beaton in Brigadoon (New York City Center), Will Parker in Oklahoma! (Royal Albert Hall, London), Mike Costa in A Chorus Line(Hollywood Bowl), and Bill Calhoun in Kiss Me Kate (Roundabout Theater Company’s 2017 Gala). Television: Étoile (Prime Video), Soundtrack (Netflix), Mixtape (FOX Pilot), Julie’s Greenroom (Netflix), Oklahoma! (BBC Proms), Romeo in Romeo and Juliet and Carousel Boy in NY Philharmonic’s Carousel (PBS’s Live from Lincoln Center), Dancing With The Stars, The Late Show With Stephen Colbert, Live with Kelly and Michael, CBS Sunday Morning, and 60 Minutes. Film: Tom Hooper’s Cats, An American in Paris Live (West End Production), The Chaperone and NY Export: Opus Jazz. Represented by CAA. @robbiefairchild
Cameron Grant is recently retired after 37 years with the New York City Ballet. As a solo pianist, he performed a vast repertoire for solo piano including the Bach Goldberg Variations, Pictures at an Exhibition, Dances at a Gathering, Polyphonia, In the Night, and numerous other solo premieres. The concerti he has performed include works by Beethoven, Tchaikovsky, Hindemith, Dohnanyi, Prokofiev, Bartok, MacMillan, Ravel and Gershwin. He toured with the company across the globe in theaters in St Petersburg, Athens, Edinburgh, Paris, London, Parma, Taipei, Tokyo and Seoul and has appeared in festivals in New Hampshire, Vail and Nantucket. A renowned collaborative pianist, Cameron has worked and/or recorded with Joel Krosnick, Ronald Thomas, Hiroko Yakima, The Leonardo Trio with Erica Kiesewetter and Jonathan Spitz, and Zina Schiff, among others. Zina and Cameron have collaborated for 30 years and recorded 8 CDs together. He spent five years touring with James Winn as half of the Grant-Winn piano duo, a duo that took top honors at the Munich Competition. Cameron was also a member of the New York New Music Ensemble. In 2004, he won an Emmy Award as a soloist in the Live From Lincoln Center broadcast, “Balanchine at 100,” and was invited to perform at the Kennedy Center Honors with three other members of the New York City Ballet for President Bush.
Savannah Green (Dancer) studied at Manhattan Youth Ballet and LaGuardia High School for the Performing Arts. She graduated with a BFA from the University of California, Santa Barbara, in 2017, performing works by Jose Limon, Andrea Miller, and Anna Halprin. Savannah joined BalletX in 2020.
Choreographer Bobbi Jene Smith was born in Centerville, Iowa. From 2005-2014 she was a member of the Batsheva Dance Company under the artistic direction of Ohad Naharin.She is an alumnus of the Juilliard School, North Carolina School of the Arts, and the Royal Winnipeg Ballet School. Her choreography has been presented by The Batsheva Dance Company, CORPUS – The Dance Laboratory of the Royal Danish Ballet, The Martha Graham Dance Company, The Juilliard School, PS122 COIL Festival, A.R.T, The Israel Museum, Luminato Festival, LaMama, Sacramento Ballet, and UNC Chapel Hill. In 2017 she became a founding member of the American Modern Opera Company (AMOC).
SARA MEARNS, Columbia, SC, principal dancer New York City Ballet since 2008. Originated roles with choreographers Justin Peck, Kyle Abraham, Alexei Ratmansky, Pam Tanowitz, Bobbi Jene Smith, Christopher Wheeldon, Guillaume Cote, Beth Gill, among others. Guest Performer: Paul Taylor Dance Company, The Cunningham Centennial Celebration, Jodi Melnick Dance, Bill T Jones/Lee Ming Wei, and Wang Ramirez. At NYCC, she starred in Matthew Bourne’s The Red Shoes, Encores! I Married An Angel, and Twyla Now as well as multiple Fall for Dances, and performed Dances of Isadora Duncan at Lincoln Center. At The Joyce in 2022, Sara performed a full evening with five world premier pieces, titled “A piece of Work”, awarded the Bessie Award for outstanding performer in 2018, awarded the Dance Magazine Award in 2019, and an Honorary Doctorate University of South Carolina in 2019.
Dario Natarelli is a performer, choreographer, and dance educator specializing in tap dance based in New York City. He is honored to be a part of the Vail Dance family since 2016. Some of his credits include: Illinoise (Justin Peck), The Tap Dance Kid (New York City Center Encores!), Oliver! (Encores!), Tappin’ Thru Life (Off-Broadway), Ayodele Casel’s Artists At The Center (performer and co-choreographer with Michelle Dorrance), Assistant choreographer to Michelle Dorrance at Vail Dance, Maestro (Bradley Cooper and Justin Peck), The Kennedy Center (soloist, choreographer), Saturday Night Live, Amazon, national commercials, and more. He is grateful to his family, friends, and mentors for their unconditional love and support. Respect the dance; go in rhythm. @dario_natarelli
Roman Mejia is a Principal Dancer with New York City Ballet. He was born in Fort Worth, Texas and began studying ballet at age 3 with his mother and father. At age 13, he entered the Mejia Ballet Academy. He attended summer courses at the School of American Ballet, NYCB’s official school, in 2014 and 2015, before entering SAB full-time for the 2015 winter term. In August 2017, he became an apprentice with NYCB and he joined the Company as a member of the corps de ballet in November 2017. He was promoted to Soloist in October 2021 and to Principal Dancer in February 2023. His repertory with NYCB includes featured roles in numerous ballets by George Balanchine, Jerome Robbins, Peter Martins, Justin Peck, Alexei Ratmansky, and Christopher Wheeldon, and he has also originated featured roles in ballets by Kyle Abraham, Silas Farley, Edwaard Liang, Peck, Ratmansky, and Gianna Reisen.
Outside of NYCB, Mejia was the 2022 Vail Dance Festival Artist in Residence, and he has appeared in Twyla Tharp’s TWYLA NOW and with Tiler Peck at New York City Center and Sadler’s Wells in London.
In 2019, Dance Magazine featured Mejia as one of their “25 To Watch,” and he was also the recipient of the Princess Grace Foundation-USA Dance Fellowship. In 2020, Mejia was a finalist for the Clive Barnes Award.
Emiko Nakagawa is a Japanese tap dance artist currently based in NYC. She went on to further develop her tap artistry with Yukiko “Smilie” Misumi’s mentorship, and she served as dance captain on various stages, including ARTN Company’s solo “Legends of Tap” series 2015-2020 in Japan. Before coming to NY, she achieved international recognition through performing at “JUBA!” at Chicago Tap Festival and Big Apple Tap Festival. She also has had success at many international tap dance contests. She was a winner of both Woodshed Experience and LA Tap Fest cutting contests in 2019. In the tap dance contest “KAWASAKI TAP FESTIVAL” in Japan, she won six prizes until 2016 and was the champion in 2017. After coming to NY, Emiko is an alumnus of The School at Jacob’s Pillow 2023. Her choreographies and performances have been shown at 54 Below, Symphony Space, The Joyce Theater, World of Dance, 92NY and more, and she has a great appreciation for working and performing with amazing artists: Michelle Dorrance, Caleb Teicher and more and their guidance in NY.
JUSTIN PECK is a two-time Tony Award winning choreographer, director, filmmaker, and dancer based in New York City. He is currently the acting Resident Choreographer and Artistic Advisor of New York City Ballet. Peck has created and developed over 50 dance and theater works for stages around the world, including work for Broadway, the Palais Garnier, the Sydney Opera House, Brooklyn Academy of Music, and Lincoln Center. He has created extensively for film, most notably choreographing Steven Spielberg’s West Side Story (2021). In 2024, Peck directed and choreographed the original Broadway musical Illinoise. In 2025, Peck co-choreographed the Broadway musical Buena Vista Social Club in collaboration with Patricia Delgado. Peck’s honors include the Tony Award for Best Choreography for Carousel (2018) and Illinoise (2024), the National Arts Award (2018), the Golden Plate Honor from the Academy of Achievement (2019), the Bessie Award for Rodeo (2015), and the World Choreography Award for the film West Side Story (2021).
Unity Phelan was born in Princeton, New Jersey where she studied at the Princeton Ballet School. After attending summer courses at the School of American Ballet, Phelan was invited to attend the school full time and remained at the school for three years. Phelan was invited to join the New York City Ballet in the winter of 2012 as an apprentice and joined the company as a Corps de Ballet member in 2013. In the Winter of 2017, Phelan was promoted to Soloist dancer and in the Fall of 2021, she was promoted to Principal dancer. In her time at New York City Ballet, Phelan has danced numerous ballets by George Balanchine, Jerome Robbins, Alexei Ratmansky, Justin Peck, Christopher Wheeldon and other choreographers. Phelan has been featured in Dance Magazine, Elle Magazine, and People Style Magazine. In the last couple years, Phelan has been found on the silver screen acting in “John Wick 3: Parabellum” and “I’m Thinking of Ending Things”. In 2019, Phelan was awarded the Lincoln Center Emerging Artist Award for her work at New York City Ballet.
Mira Nadon was born in Boston, Massachusetts, and began her ballet training at the age of six at the Inland Pacific Ballet Academy in Montclair, California.
She attended summer courses at the School of American Ballet (SAB), the official school of NYCB, in 2014 and 2015, before entering SAB full-time for the 2015 winter term.
In November 2017, Ms. Nadon became an apprentice with NYCB. She joined the Company as a member of the corps de ballet in November 2018. Ms. Nadon was promoted to the rank of soloist in January 2022 and principal in February 2023.
Ms. Nadon has danced as a guest at the Vail Dance Festival and Nantucket Atheneum Dance Festival and has performed as a member of Ballet Collective. She is also a part-time student at Fordham University. She is the recipient of the 2021 Clive Barnes Award for dance and is a 2022 Princess Grace Award winner.
Michael Scales is a musician for dance in New York City, where he serves as pianist at New York City Ballet, the School of American Ballet, and formerly at American Ballet Theatre and New York Theatre Ballet. Michael is pianist for Vail Dance Festival, and has collaborated with Martha Graham Dance Company and Limón Dance Company. Michael has performed at numerous venues around New York City including Carnegie Hall, Lincoln Center, NY City Center, the 92nd Street Y, Rockefeller Center, and in halls across the country and internationally. Michael holds a Bachelor of Arts degree from Kutztown University of Pennsylvania, where he studied with Dr. Maria Asteriadou, and a Masters of Music degree from James Madison University, where he studied with Dr. Lori Piitz.
Caroline Shaw is a musician who moves among roles, genres, and mediums, trying to imagine a world of sound that has never been heard before but has always existed. She works often in collaboration with others, as producer, composer, violinist, and vocalist. Caroline is the recipient of the 2013 Pulitzer Prize in Music, several Grammy awards, an honorary doctorate from Yale, and a Thomas J. Watson Fellowship. This year’s projects include the score to “Fleishman is in Trouble” (FX/Hulu), vocal work with Rosalía (MOTOMAMI), the score to Josephine Decker’s “The Sky Is Everywhere” (A24/Apple), music for the National Theatre’s production of “The Crucible” (dir. Lyndsey Turner), Justin Peck’s “Partita” with NY City Ballet, a new stage work “LIFE” (Gandini Juggling/Merce Cunningham Trust), the premiere of “Microfictions Vol. 3” for NY Philharmonic and Roomful of Teeth, a live orchestral score for Wu Tsang’s silent film “Moby Dick” co-composed with Andrew Yee, two albums on Nonesuch (“Evergreen” and “The Blue Hour”), the score for Helen Simoneau’s dance work “Delicate Power”, tours of Graveyards & Gardens (co-created immersive theatrical work with Vanessa Goodman), and tours with So Percussion featuring songs from “Let The Soil Play Its Simple Part” (Nonesuch), amid occasional chamber music appearances as violist (Chamber Music Society of Minnesota, La Jolla Music Society). Caroline has written over 100 works in the last decade, for Anne Sofie von Otter, Davóne Tines, Yo Yo Ma, Renée Fleming, Dawn Upshaw, LA Phil, Philharmonia Baroque, Seattle Symphony, Cincinnati Symphony, Aizuri Quartet, The Crossing, Dover Quartet, Calidore Quartet, Brooklyn Rider, Miro Quartet, I Giardini, Ars Nova Copenhagen, Ariadne Greif, Brooklyn Youth Chorus, Britt Festival, and the Vail Dance Festival. She has contributed production to albums by Rosalía, Woodkid, and Nas. Her work as vocalist or composer has appeared in several films, tv series, and podcasts including The Humans, Bombshell, Yellowjackets, Maid, Dark, Beyonce’s Homecoming, Tár, Dolly Parton’s America, and More Perfect. Her favorite color is yellow, and her favorite smell is rosemary.
KJ Takahashi is a member of New York City Ballet’s corps de ballet. He was born in Dallas, Texas, and began his ballet training at age 8 at Ballet Academy of Texas under the direction of Lisa Slagle. In 2014, he studied ballet at Mejia Ballet International under the direction of Paul Mejia and in 2015, he began training at Ballet Tech under the direction of Elliot Feld. He entered the School of American Ballet, the official school of New York City Ballet, in 2016, and received additional training at summer courses at the Pacific Northwest Ballet School. Mr. Takahashi was named an apprentice with NYCB in 2019 and as an apprentice, performed featured roles in George Balanchine’s The Nutcracker (Candy Cane, Tea) and Lauren Lovette’s The Shaded Line. He originated a featured role in Kyle Abraham’s dance film Where We Fell in 2020. Mr. Takahashi joined the Company as a member of the corps de ballet in August 2021 and was promoted to soloist in April 2023.
Mr. Takahashi was the Janice Levin Dancer Honoree for 2022-2023.
Pam Tanowitz is a critically acclaimed choreographer and founder of Pam Tanowitz Dance.Quick-witted and rigorous, the New York-based choreographer and collaborator has steadily delineated her own dance language through decades of research and creation. She is currently the first-ever choreographer in residence at the Fisher Center at Bard in Annandale-on-Hudson, New York. Other honors include a 2020 Doris Duke Artist Award, 2019 Herb Alpert Award, 2017BAC Cage Cunningham Fellowship, 2016 and 2009 Bessie Awards, 2010 Foundation for Contemporary Arts Award, 2011 Guggenheim Fellowship, Hodder Fellowship, CBA Fellowship at New York University, and a New York City Center Choreography Fellowship. She has created for Australian Ballet, New York City Ballet, Martha Graham Dance Company, Paul Taylor American Modern Dance, the Royal Ballet, Singapore Dance Theatre, Kennedy Center’s Ballet Across America, Juilliard Dance, Ballet Austin, and New York Theatre Ballet. Originally from New Rochelle, New York, Tanowitz holds degrees from Ohio State University and Sarah Lawrence College, and is a visiting guest artist at Rutgers University.
Davóne Tines is a pathbreaking artist whose work encompasses a diverse repertoire, ranging from early music to new commissions by leading composers, while exploring the social issues of today. A creator, curator, and performer at the intersection of many histories, cultures, and aesthetics, he is engaged in work that blends opera, art song, spirituals, contemporary classical, gospel, and protest songs as a means to tell a deeply personal story of perseverance connecting to all of humanity.
Tines is an artist who takes full agency of his work, often devising new programs and pieces from conception to performance. He has premiered numerous operas by today’s leading composers, including John Adams, Terence Blanchard, and Matthew Aucoin; and his concert appearances include performances of works ranging from Beethoven’s Ninth Symphony to Kaija Saariaho’s True Fire. He recently made his Metropolitan Opera debut performing in John Adams’ El Niño. His first studio album, ROBESOИ, released on Nonesuch Records on September 13, 2024, explores his connection to legendary American baritone Paul Robeson, reimagining some of the music Robeson famously sang.
Tines is Brooklyn Academy of Music’s Artist-in-Residence and Philharmonia Baroque Orchestra & Chorale’s first-ever Creative Partner. He is Musical America’s 2022 Vocalist of the Year, a winner of the 2020 Sphinx Medal of Excellence, a recipient of the 2018 Emerging Artists Award from Lincoln Center, and a recipient of the 2024 Chanel Next Prize. He is a graduate of The Juilliard School and Harvard University.
Melissa Toogood has appeared on the Vail stage since 2015. She is a New York Dance and Performance Award (Bessie) winning, internationally recognized dancer and master teacher celebrated for her work most notably with the Merce Cunningham Dance Company, where she was one of the last dancers to work directly with Cunningham himself. A 2013 and 2015 Merce Cunningham Fellow and official stager for the Merce Cunningham Trust, Melissa has taught his technique worldwide since 2007 and continues to stage his work for renowned companies including the Stephen Petronio Company and the Washington Ballet. As a longtime dancer with choreographer Pam Tanowitz, she has served as Rehearsal Director and Artistic Associate for Tanowitz’s company, assisting on new works for major institutions such as The Australian Ballet, Martha Graham Dance Company, and The Royal Ballet. Melissa’s freelance career spans performances with leading artists including Tanowitz, Kyle Abraham, Kimberly Bartosik, Rosie Herrera Dance Theater, Sally Silvers, and the Petronio Company, alongside her own choreographic commissions for Boston Ballet, New York Theater Ballet, and the Vail Dance Festival. She teaches Cunningham Technique at Sydney Dance Company and continues to mentor the next generation of dancers. A prominent voice in the dance community, Melissa has lectured, written for publications like Dance Magazine, and appeared in several films and exhibitions, including the acclaimed Cunningham 3D film.
New York based Joel Wenhardt is a jazz pianist, and collaborator. While completing his studies at Juilliard (BM ‘18, MM ‘23) he has become a regular presence on the Jazz scene, as well an active participant in multi-medium productions. He has played or recorded with Paul Simon, Wynton Marsalis, Veronica Swift, Caroline Shaw, Claire Chase, and Brooklyn Rider as well as dancers from Juilliard, NYC Ballet, ABT, Alvin Ailey and more. Currently, he is Musical Directing at the McKittrick Hotel, where he can be found in the Manderley Bar leading The Nightingales. This will be Joel’s 4th time in Vail for the dance festival, and is grateful to call this community his artistic family.
James Whiteside is redefining the meaning of multihyphenate as a principal dancer and choreographer for the American Ballet Theater, host of the “Stage Rightside” podcast, and author of “Center Center”.
He began his ballet training at age nine at the D’Valda & Sirico Dance and Music Centre in Fairfield, CT. After completing his training, he was a principal dancer with Boston Ballet until 2012 and has been a principal dancer with American Ballet Theatre since 2013, dancing principal roles in Swan Lake, The Nutcracker, Romeo & Juliet, Giselle, and many more. Additionally, Whiteside has choreographed for pop stars Mariah Carey and Taylor Swift. He continues to choreograph for music videos, commercials, film and ballet including New American Romance and City of Women for American Ballet Theatre and Marilyn’s Funeral for The Juilliard School. The short film, Daytripper, which he directed and choreographed, was nominated for a New York Emmy.
Off the ABT stage, Whiteside published his first book, “Center Center: A Funny, Sexy, Sad Almost Memoir of a Boy in Ballet”. Whiteside’s social media channels have nearly one million followers and his sponsorships include brands such as St. Germain, Sonos, Uber, and more. He also hosts his own popular podcast, “The Stage Rightside with James Whiteside. Whiteside has completed Harvard Business School’s Crossover Into Business program.
Photo by Emil Cohen.
To learn more about attending a performance through our Community Arts Access program or providing support to eliminate socioeconomic barriers to the arts, please contact Martha Brassel ([email protected])