International Evenings of Dance II

Robbie Fairchild

ROBBIE FAIRCHILD made his Tony nominated Broadway debut in 2015 as Jerry Mulligan in the Tony Award-winning musical An American in Paris, which he reprised in London’s West End in 2017. He was awarded the Drama Desk, Outer Critics Circle, Theater World, National Dance and Astaire Award for this performance and was nominated for the Evening Standard and Drama League Awards. From 2009 to 2017, Fairchild performed as a Principal Dancer with the New York City Ballet. His other theater credits include Monster in Mary Shelly’s Frankenstein (Signature Theater, Chita Rivera Award), Harry Beaton in Brigadoon (New York City Center), Will Parker in Oklahoma! (Royal Albert Hall, London), Mike Costa in A Chorus Line(Hollywood Bowl), and Bill Calhoun in Kiss Me Kate (Roundabout Theater Company’s 2017 Gala). Television: Étoile (Prime Video), Soundtrack (Netflix), Mixtape (FOX Pilot), Julie’s Greenroom (Netflix), Oklahoma! (BBC Proms), Romeo in Romeo and Juliet and Carousel Boy in NY Philharmonic’s Carousel (PBS’s Live from Lincoln Center), Dancing With The Stars, The Late Show With Stephen Colbert, Live with Kelly and Michael, CBS Sunday Morning, and 60 Minutes. Film: Tom Hooper’s Cats, An American in Paris Live (West End Production), The Chaperone and NY Export: Opus Jazz. Represented by CAA. @robbiefairchild

Roman Mejia

Roman Mejia is a Principal Dancer with New York City Ballet. He was born in Fort Worth, Texas and began studying ballet at age 3 with his mother and father. At age 13, he entered the Mejia Ballet Academy. He attended summer courses at the School of American Ballet, NYCB’s official school, in 2014 and 2015, before entering SAB full-time for the 2015 winter term. In August 2017, he became an apprentice with NYCB and he joined the Company as a member of the corps de ballet in November 2017. He was promoted to Soloist in October 2021 and to Principal Dancer in February 2023. His repertory with NYCB includes featured roles in numerous ballets by George Balanchine, Jerome Robbins, Peter Martins, Justin Peck, Alexei Ratmansky, and Christopher Wheeldon, and he has also originated featured roles in ballets by Kyle Abraham, Silas Farley, Edwaard Liang, Peck, Ratmansky, and Gianna Reisen. 

Outside of NYCB, Mejia was the 2022 Vail Dance Festival Artist in Residence, and he has appeared in Twyla Tharp’s TWYLA NOW and with Tiler Peck at New York City Center and Sadler’s Wells in London.  

In 2019, Dance Magazine featured Mejia as one of their “25 To Watch,” and he was also the recipient of the Princess Grace Foundation-USA Dance Fellowship. In 2020, Mejia was a finalist for the Clive Barnes Award. 

Mira Nadon

MIRA NADON was born in Boston, Massachusetts, and began her ballet training at the age of six at the Inland Pacific Ballet Academy in Montclair, California. She attended summer courses at the School of American Ballet (SAB), the official school of NYCB, in 2014 and 2015, before entering SAB full-time for the 2015 winter term. In November 2017, Ms. Nadon became an apprentice with NYCB and joined the Company as a member of the corps de ballet in November 2018. Ms. Nadon was promoted to the rank of soloist in January 2022, and to principal in February 2023. Nadon has performed featured roles in ballets by Kyle Abraham, George Balanchine, Jerome Robbins, Sidra Bell, Ulysses Dove, Keerati Jinakunwiphat, Peter Martins, Justin Peck, Tiler Peck, Alysa Pires, Alexei Ratmansky, Pam Tanowitz, and Christopher Wheeldon. Her awards include the 2021 Clive Barnes Award in Dance, the 2022 Princess Grace Award, and the 2025 Forbes 30 Under 30 list.

Tiler Peck

Tiler Peck has been a Principal Dancer with New York City Ballet since 2009. She made her Broadway debut at age 11 as Gracie Shinn in The Music Man and was seen on Broadway as Ivy Smith in the Tony Nominated On The Town. She originated the title role in Susan Stroman’s newest musical Little Dancer at the Kennedy Center and is attached to star in the Broadway production. Tiler made her choreographic debut at the Vail Dance Festival in 2018 and has gone on to choreograph and appear in episodes of Tiny Pretty Things and Ray Donovan, for the Boston Ballet and the box office smash hit film John Wick 3. She has also appeared on Dancing with the Stars, the Kennedy Center Honors and Live From Lincoln Center’s The Nutcracker and Carousel, Disney+’s The Hip Hop Nutcracker, and Josh Groban’s Great Big Radio City Show PBS special. As a guest star, she was the first ballerina ever to appear on The Ellen DeGeneres Show. In film she has starred in “Ballet Now”, a Hulu documentary that followed her as she became the first woman to curate and star in The Los Angeles Music Center’s presentation ofBalletNOW, “Ballet 422”, “A Time for Dancing”, and “Donnie Darko”. She is a recipient of the Princess Grace Statue Award, The Dance Magazine Award and was named one of Forbes 30 under 30. She curated and directed the highly anticipated inaugural Artists at the Center for New York City Center that made it’s European debut as Turn It Out With Tiler Peck & Friend and received an Olivier Awards nomination. Most recently, she choreographed her first ballet for New York City Ballet, Concerto for Two Pianos. 

To keep the dance world connected during the pandemic, Tiler developed a free ballet class #TurnItOutWithTiler that airs on her Instagram. She is the designer of the Love,Tiler collection for Só Dança. She has released two children’s books with Simon & Schuster: Katarina Ballerina and Katarina Ballerina & The Victory Dance. Most recently, Ms. Peck has been seen as a recurring guest star on Amazon Prime’s newest tv show Étoile. 

More on Tiler at www.tilerpeck.com. Tiler can be found on Instagram & TikTok via @TilerPeck.

Ryan Tomash

This past fall, New York City Ballet welcomed to the ranks Soloist Ryan Tomash, who moved to the Big Apple from Copenhagen, where he was a principal dancer with the Royal Danish Ballet. Following a busy fall, which included a number of repertory debuts as well as originating a role in Jamar Roberts’ Foreseeable Future; the many wondrous delights of George Balanchine’s The Nutcracker^®; and a jam-packed winter, including performances in the latest works from Resident Choreographer Justin Peck and Artist in Residence Alexei Ratmansky—The Wind-Up and The Naked King, respectively—Tomash was promoted to the rank of principal dancer.

We spoke to the Canadian dancer about his career prior to joining the company, how his first few months have gone, and what he likes best about the city, among other things. Get to know Ryan Tomash better before he takes the stage again this spring.